{"title":"Video -\u003e Production -\u003e Production Hardware","description":"","products":[{"product_id":"blackmagic-design-hdmi-to-sdi-6g-mini-converter","title":"Blackmagic Design HDMI To SDI 6G Mini Converter","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design HDMI to SDI 6G Mini Converter\u003c\/strong\u003e converts HDMI to SD, HD, 3G, or 6G-SDI in resolutions up to DCI 4K (4096 x 2160) at 24p and UHD 4K (3840 x 2160) up to 30p. This is useful for connecting consumer devices that output HDMI signals with professional SDI video equipment. With a compact form factor and easy-to-use controls, the Mini Converter is ideal for a variety of broadcast, post-production, and professional AV applications.\u003c\/p\u003e\u003cp\u003eUsing 4K HDMI and 6G-SDI technologies, the Mini Converter automatically detects the input video format and instantly changes between SD, HD, and UHD\/DCI 4K formats. The two 6G-SDI outputs also support SD and HD-SDI signals for integration into existing workflows. Both 6G-SDI outputs send duplicate signals. Audio is embedded in the SDI output from either the HDMI input or from the two 1\/4 inch input jacks which support four channels of AES\/EBU digital audio or two channels of analog audio.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe Mini Converter's settings are controlled using the built-in switches or via USB using the control software for Max OS X or Windows computers, which can be downloaded on Blackmagic Design's website. The USB port also enables the firmware to be updated.\u003c\/li\u003e\n\u003cli\u003eThe device is powered by an included 12V power supply and includes international socket adapters.\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eAdditional Features\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e4:2:2 Sampling and colour precision\u003c\/li\u003e\n\u003cli\u003eHD scaler and SD down-conversion\u003c\/li\u003e\n\u003cli\u003e24-bit, 48 kHz audio sampling\u003c\/li\u003e\n\u003cli\u003eCompliant with SMPTE 259M\/292M\/296M\/372M\/424M\/425M Level A or B\/SMPTE ST-2081, and ITU-R BT.656\/BT.601 standards\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44578750791957,"sku":"CONVMBHS24K6G","price":259.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/convmbhs24k6g.jpg?v=1680224641"},{"product_id":"blackmagic-design-mini-converter-updowncross-hd","title":"Blackmagic Design Mini Converter UpDownCross HD","description":"\u003cp\u003eUse the Mini Converter UpDownCross HD from Blackmagic Design to automatically cross-convert between any SD and HD video format, with support for signals up to 1080p60. The converter incorporates one 3G\/HD\/SD-SDI input, two 3G\/HD\/SD-SDI outputs and one loop-through output, one HDMI input, and one HDMI output. This versatile converter supports scaling for computer DVI resolutions via its HDMI input, enabling you to connect HDMI computers to SDI projectors.\u003c\/p\u003e\u003cp\u003eFeatures include automatic signal detection, reference in, reclocking, and audio delay for A\/V sync. Settings can be easily changed using the diagrammed function switches, or via the OS X\/Windows-compatible converter software. This compact converter features a sturdy metal housing, and includes a 12V universal power supply with a locking connection to prevent accidental disconnection.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44578750857493,"sku":"CONVMUDCSTD\/HD","price":259.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/convmudcstd-hd.jpg?v=1680224648"},{"product_id":"blackmagic-design-teranex-mini-smart-panel","title":"Blackmagic Design Teranex Mini Smart Panel","description":"\u003cp\u003eThe \u003cstrong\u003eTeranex Mini Smart Panel\u003c\/strong\u003e, from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e, is designed to simply replace the existing front panel on any Teranex Mini Converter and instead provide a colour LCD, spin dial, and six control buttons, including a menu control. You'll be able to adjust settings, browse menus, monitor conversions in progress, monitor audio levels, verify timecode, and verify the video standard being converted. The Smart Panel easily attaches in place of the standard front panel once the standard panel is taken off.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44578754363669,"sku":"CONVNTRM\/YA\/SMTPN","price":149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/convntrm-ya-smtpn.jpg?v=1680224665"},{"product_id":"blackmagic-design-atem-mini-pro-hdmi-live-stream-switcher","title":"Blackmagic Design ATEM Mini Pro HDMI Live Stream Switcher","description":"\u003cp\u003eSimilar to its predecessor, the ATEM Mini, the ATEM Mini Pro from Blackmagic Design is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet or broadcast applications from gaming consoles, corporate computer streams, or HD cameras. Along with the software control update, the Mini Pro builds on the Mini with features such as live stream data rate and status information, a built-in hardware encoder, simultaneous recording to USB drives, drive hot swapping with the Blackmagic MultiDock, added record and stream buttons, stream caching, a timecode generator, program preview multiview, tally support, and support for Blackmagic Design Pocket Cinema Camera 6K and 4K to utilise as your broadcast sources.\u003c\/p\u003e\u003cp\u003eThe ATEM Mini Pro retains the same rear-panel setup on which four HDMI inputs are available on the rear of the chassis and they input up to 1080p HD video. There is also an HDMI output for a projector or multiview monitoring, a USB Type-C output as for recording HD video to a computer, and an RJ45 10\/100\/1000 Ethernet port for direct live streaming as well as system management, remote control, and upgrades. You can adjust frame rate depending on the quality of your stream, and there is no need for additional streaming software because the Pro includes a built-in hardware encoder.\u003c\/p\u003e\u003cp\u003eThe updated ATEM Software Control Panel is used for control and configuration of the ATEM Mini Pro via USB or Ethernet, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. The built-in colour control panel has the same configuration of DaVinci Resolve, eliminating any learning curve. Advanced features include the ability for engineers to upload an XML configuration file to make it easier to change all your settings at once.\u003c\/p\u003e\u003cp\u003eThe control surface features the same easy-to-view, backlit control buttons to enable selecting camera inputs, controlling transitions, keyers, settings, and the DVE. The ATEM Mini Pro adds several buttons to the right side such as a quick record button, which allows you to instantly record your live stream to the connected USB source, or by holding it down, you can hot-swap drives when using the Blackmagic MultiDock if you need to quickly get down to editing. On Air and Stream buttons have also been added to instantly start and stop your stream once it is set up in software control. The added Video Out buttons on the right side allow you to select a program preview for each source, so you can make sure each source is ready to go for air.\u003c\/p\u003e\u003cp\u003eThe ATEM Mini Pro features the same upstream and downstream keyers, an advanced chroma keyer, two linear\/luma keyers, a DVE transition keyer, a pattern generator, and colour generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44578755870997,"sku":"SWATEMMINIBPR","price":475.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/swatemminibpr.jpg?v=1680224712"},{"product_id":"blackmagic-design-atem-mini-pro-iso-hdmi-live-stream-switcher","title":"Blackmagic Design ATEM Mini Pro ISO HDMI Live Stream Switcher","description":"\u003cp\u003eSimilar to its predecessor, the ATEM\u003cstrong\u003e \u003c\/strong\u003eMini, the \u003cstrong\u003eATEM Mini Pro \u003c\/strong\u003efrom \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet or broadcast applications from gaming consoles, corporate computer streams, or HD cameras. Along with the software control update, the Mini Pro builds on the Mini with features such as live stream data rate and status information, a built-in hardware encoder, simultaneous recording to USB drives, drive hot swapping with the Blackmagic MultiDock, added record and stream buttons, stream caching, a timecode generator, program preview multiview, tally support, and support for Blackmagic Design Pocket Cinema Camera 6K and 4K to utilise as your broadcast sources.\u003c\/p\u003e\u003cp\u003eThe ATEM Mini Pro retains the same rear-panel setup on which four HDMI inputs are available on the rear of the chassis and they input up to 1080p HD video. There is also an HDMI output for a projector or multiview monitoring, a USB Type-C output as for recording HD video to a computer, and an RJ45 10\/100\/1000 Ethernet port for direct live streaming as well as system management, remote control, and upgrades. You can adjust frame rate depending on the quality of your stream, and there is no need for additional streaming software because the Pro includes a built-in hardware encoder.\u003c\/p\u003e\u003cp\u003eThe updated ATEM Software Control Panel is used for control and configuration of the ATEM Mini Pro via USB or Ethernet, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. The built-in colour control panel has the same configuration of DaVinci Resolve, eliminating any learning curve. Advanced features include the ability for engineers to upload an XML configuration file to make it easier to change all your settings at once.\u003c\/p\u003e\u003cp\u003eThe control surface features the same easy-to-view, backlit control buttons to enable selecting camera inputs, controlling transitions, keyers, settings, and the DVE. The ATEM Mini Pro adds several buttons to the right side such as a quick record button, which allows you to instantly record your live stream to the connected USB source, or by holding it down, you can hot-swap drives when using the Blackmagic MultiDock if you need to quickly get down to editing. On Air and Stream buttons have also been added to instantly start and stop your stream once it is set up in software control. The added Video Out buttons on the right side allow you to select a program preview for each source, so you can make sure each source is ready to go for air.\u003c\/p\u003e\u003cp\u003eThe ATEM Mini Pro features the same upstream and downstream keyers, an advanced chroma keyer, two linear\/luma keyers, a DVE transition keyer, a pattern generator, and colour generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNew Features\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSame rear panel as ATEM Mini with added buttons and software features\u003c\/li\u003e\n\u003cli\u003eStream video up to 1080p HD\u003c\/li\u003e\n\u003cli\u003eQuick stream, on-air and record buttons\u003c\/li\u003e\n\u003cli\u003eHardware encoder so there's no need for additional streaming software\u003c\/li\u003e\n\u003cli\u003eControl and configure timecode, stream status\u003c\/li\u003e\n\u003cli\u003eFull support and control features for BMPCC 6K and 4K cameras\u003c\/li\u003e\n\u003cli\u003eSimultaneous USB recording\u003c\/li\u003e\n\u003cli\u003eIntegration with MultiDock for live hard drive switching\u003c\/li\u003e\n\u003cli\u003eCustomise advanced settings with XML files\u003c\/li\u003e\n\u003cli\u003eSoftware multiview with program previews, graphics, record status, on air status, audio meters\u003c\/li\u003e\n\u003cli\u003eProgram preview input and output buttons\u003c\/li\u003e\n\u003cli\u003eTally light control for BMPCC 6K\/4K cameras\u003c\/li\u003e\n\u003cli\u003eAutomatic timecode sync for all cameras\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eTransitions\u003c\/strong\u003e\u003cbr\u003eAvailable transitions include:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCut: when you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source.\u003c\/li\u003e\n\u003cli\u003eMix: the mix, or dissolve, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.\u003c\/li\u003e\n\u003cli\u003eDip: just like mix transitions, a dip transition is a gradual blend that includes either a solid colour, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.\u003c\/li\u003e\n\u003cli\u003eWipe: built-in wipe patterns include circles, diamonds, squares, and more. Shapes and patterns can be inverted or softened and can even have customised coloured borders.\u003c\/li\u003e\n\u003cli\u003eDVE: with the powerful built-in Digital Video Effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options.\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eUpstream Keyer\u003c\/strong\u003e\u003cbr\u003eLayer live video over other video sources or graphics with the Upstream Keyer. You can use luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLuma key: luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.\u003c\/li\u003e\n\u003cli\u003eLinear key: get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a gray scale mask to cut out, or mask, the area to be filled.\u003c\/li\u003e\n\u003cli\u003eChroma key: used every day for TV weather forecasts, chroma keys are a powerful way of combining live images in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that colour and combine it with another image, such as a video or graphic.\u003c\/li\u003e\n\u003cli\u003ePattern key: combine live images with any of the built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eDownstream Keyers\u003c\/strong\u003e\u003cbr\u003eThe ATEM Mini switcher includes one downstream keyer, so you can add high-quality graphics like logos, bugs, and titles from the built-in media player over the live stream program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAudio Mixer\u003c\/strong\u003e\u003cbr\u003eThe built-in audio mixer lets you control both camera and external audio with precision level and balance adjustments on all six available audio inputs and two channels. The mixer features selectable On\/Off\/Audio-Follow-Video per channel, plus it has separate gain control per channel, level and peak metering, and new Fairlight audio enhancements such as compressor, gate, limiter, six bands of parametric EQ, and master gain control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMonitor Output\u003c\/strong\u003e\u003cbr\u003eThe HDMI monitor output allows you to see your sources, graphics, preview, and program output on a single screen.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMedia Player\u003c\/strong\u003e\u003cbr\u003eEliminate external character generators by storing up to 20 broadcast-quality RGBA graphic files in the media pool. The one media player appears as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. 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Imagine broadcasters and bloggers collaborating on shows and creating global networks of ATEM Mini Pro remote broadcast studios. Setup is easy as the ATEM software utility can create setup files that you can email to remote ATEM Mini Pro studios. ATEM Streaming Bridge is the perfect way to use ATEM Mini Pro as a remote broadcast studio!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44578756657429,"sku":"SWATEMMINISBPR","price":419.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/swatemminisbpr.jpg?v=1680224730"},{"product_id":"blackmagic-design-atem-mini-extreme","title":"Blackmagic Design ATEM Mini Extreme","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design ATEM Mini Extreme\u003c\/strong\u003e is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.\u003c\/p\u003e\r\n\u003cp\u003eSwitch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras from the switcher. The ATEM Mini Extreme supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam production, the Mini Extreme has HDMI outputs to feed monitors and supports up to 16-screen multiview.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eStream Live\u003c\/strong\u003e\u003cbr\u003eLive stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControl Interface\u003c\/strong\u003e\u003cbr\u003eThe front panel includes easy-to-use buttons for selecting sources, video effects, and transitions. The source buttons are large, allowing you to operate them by feel. Included on the ATEM Extreme are buttons for audio mixing, recording, and streaming control, as well as output selection buttons that let you change the video output between cameras, program, and multiview. On the rear panel, there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out, plus an HDMI \"AUX\" output for program video.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003cbr\u003eYou can output using the Ethernet connection to your network or use the USB Type-C output to have your switched show recognised as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4G and 5G Phone Support\u003c\/strong\u003e\u003cbr\u003eIf you're doing live production on location, the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone, so the battery won't drain.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiview Monitoring\u003c\/strong\u003e\u003cbr\u003eYou can configure the HDMI output for multiview with 4, 7, 10, 13, up to 16 views including Program, Preview, eight HDMI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCamera Control\u003c\/strong\u003e\u003cbr\u003eThe ATEM Mini Extreme can control the Blackmagic Pocket Cinema Camera 4K and 6K models when they are updated to the latest software and plugged in via the HDMI inputs. You can control your HDMI camera settings such as iris, gain, focus, detail, and zoom control on compatible lenses. Plus, you can color balance cameras, as well as create unique looks using the DaVinci Resolve primary colour corrector built into the Blackmagic Pocket Cinema Camera 4K and 6K.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMedia Pool\u003c\/strong\u003e\u003cbr\u003eThe switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003cbr\u003eIt includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M\/E, ATEM 2 M\/E, and ATEM 4 M\/E Advanced Panels. The ATEM Mini Extreme can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRecording\u003c\/strong\u003e\u003cbr\u003eThe ATEM Mini Extreme models support the direct recording of your streaming data to USB flash disks using the same H.264 video files with AAC audio that you streamed. Recording to multiple disks is also supported via a USB hub or the Blackmagic MultiDock, so when a disk becomes full, recording can continue to a second disk for nonstop recording. Record settings and disk selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVideo Effects\u003c\/strong\u003e\u003cbr\u003eOne of the benefits of ATEM Mini is the professional production values possible using the range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip, which fades via a colour during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003cbr\u003eWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. With two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. All models feature a Fairlight audio mixer with all HDMI inputs, and both microphone inputs are connected to the audio mixer, so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBroadcast Features\u003c\/strong\u003e\u003cbr\u003eHiding in the ATEM Mini Extreme models are a host of broadcast-calibre features that are accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44580084351253,"sku":"SWATEMMINICEXT","price":1695.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/3_207_28.jpg?v=1680255773"},{"product_id":"blackmagic-design-atem-mini-extreme-iso","title":"Blackmagic Design ATEM Mini Extreme ISO","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design ATEM Mini Extreme ISO \u003c\/strong\u003eis an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. The switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB Type-C ports. The switcher automatically generates a DaVinci Resolve project file, so you can clean it up and make changes later. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.\u003c\/p\u003e\r\n\u003cp\u003eSwitch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras from the switcher. 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This model updates the previous HyperDeck Studio models with several features including 12G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog\/shuttle wheel, 10G Ethernet, and a speaker on the front.\u003c\/p\u003e\r\n\u003cp\u003eThe Studio 4K Pro records uncompressed video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 and H.265 compression formats. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio 4K Pro features one 12G-SDI input, two 12G-SDI outputs, a loop-through 12G-SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The 4K Pro can even play ProRes 4444 files in true UHD for fill and key outputs. The ports autodetect the signal and will adjust to the SD, HD, 6G-SDI, or 12G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.\u003c\/p\u003e\r\n\u003cp\u003eThe Studio 4K Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog\/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eProfessional Broadcast Deck\u003c\/strong\u003e\u003cbr\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMastering Recorder\u003c\/strong\u003e\u003cbr\u003eAll models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters, plus the 4K model adds H.265 when recording to UHD files. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eISO Recording\u003c\/strong\u003e\u003cbr\u003eAll models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDigital Signage\u003c\/strong\u003e\u003cbr\u003eHyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBroadcast Archive\u003c\/strong\u003e\u003cbr\u003eHyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBright Colour LCD Status Display\u003c\/strong\u003e\u003cbr\u003eHyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-colour thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e\u003cbr\u003eHyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSupports SD Cards, UHS-II Cards or SSDs\u003c\/strong\u003e\u003cbr\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDual Media Slots for Non-Stop Recording\u003c\/strong\u003e\u003cbr\u003eAll HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRecord to External USB Type-C Media Disks\u003c\/strong\u003e\u003cbr\u003eIf recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePopular ProRes, DNx, H.264, and H.265 Files\u003c\/strong\u003e\u003cbr\u003eHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAdvanced Broadcast Connections\u003c\/strong\u003e\u003cbr\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eChoose 3G-SDI, 6G-SDI, or 12G-SDI Models\u003c\/strong\u003e\u003cbr\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFill and Key Outputs for Broadcast Animations\u003c\/strong\u003e\u003cbr\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in UHD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\u003cbr\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/strong\u003e\u003cbr\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eIncludes Professional Multi-Channel SDI Audio\u003c\/strong\u003e\u003cbr\u003eHyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eIncredibly Fast Network File Transfers\u003c\/strong\u003e\u003cbr\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eTraditional RS-422 Broadcast Deck Control\u003c\/strong\u003e\u003cbr\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBuilt-In Timecode and Sync Generators\u003c\/strong\u003e\u003cbr\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBlackmagic OS\u003c\/strong\u003e\u003cbr\u003eThe innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on-screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world-leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\u003cbr\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUse All Video Software and Streaming Sites\u003c\/strong\u003e\u003cbr\u003eHyperDeck Studio records files that are compatible with virtually all post-production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBuilt-In Redundancy Keeps You on Air\u003c\/strong\u003e\u003cbr\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. 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The 1 RU tall recorder is 1\/2 of a rack wide and powers from 100 to 240 VAC or via an optional 12 VDC power supply for portability. Featuring one 6G-SDI input, one HDMI 2.0 input, two 6G-SDI outputs, and one HDMI 2.0 output, this unit is a compact recording\/playout powerhouse. A loop-through output and 3G-SDI monitor output as well as reference and timecode in\/out, allow this device to fit into a broadcast environment.\u003c\/p\u003e\r\n\u003cp\u003eTwo SD card slots allow you to capture with virtually unlimited record time, and the unit also supports recording to USB disks via the USB Type-C output port. The HyperDeck Studio HD Plus features a front-panel button control and a jog\/shuttle wheel for an analog scrubbing feel. RS-422 control is supported for external control, and you can also control the unit using either the USB port or over Ethernet at 1G speeds for faster deck control and file transfers via the RJ45 connector. 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The YoloBox Pro features multiple updates from the original YoloBox, including HDCP compliance, both mic and line analog audio inputs, a USB input, three HDMI inputs, a Qualcomm 660 encoder\/processor, a high-capacity 10,000mAh internal battery, and a larger 8\" LCD touchscreen display with 400 cd\/m² brightness.\u003c\/p\u003e\r\n\u003cp\u003eThe YoloBox Pro allows you to connect and live switch up to 8 video sources, and then connect to a local area network via Wi-Fi, Ethernet, or LTE (LTE connection requires SIM card and data plan not included). The large 8\" touchscreen display shows the streaming image, the input streams as well as the control interface, which allows you to switch between the info sources with a touch. It also features an HDMI output to display your stream locally on an optional HDMI display. 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For example, you can control the position within a clip with the right hand while setting in and out points and applying edits with the left. Based on feedback from professionals, the Resolve Editor Keyboard even has subtle design features such as empty space above certain keys, so they can be located by touch. It plugs into a USB Type-C port and works without any batteries. The keyboard can be used on a desktop or inset into a console via a flange. DaVinci Resolve software is included.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features\u003cbr\u003e\u003cbr\u003eMetal Design with Premium Keys\u003c\/strong\u003e\u003cbr\u003eThe all-metal design includes keys with a tiered profile, instead of flat keys, so it's easy to feel your way around. The key switches are the same type used by eSports keyboards and each key is certified for over a million operations. The integrated search dial is machined from solid metal and allows for very precise transport and trimming control. There's also a handrest with a soft feel to help reduce fatigue. Plus, the keys caps, handrest, and key switches are all available as spare parts so the keyboard can be refreshed and repaired over time.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntegrated Search Dial Control\u003c\/strong\u003e\u003cbr\u003eThe metal search dial features rubber coating and is designed with multiple roller bearings that allow for smooth operation. There's an integrated electronic clutch that creates end stops when used for shuttle and position. The dial can also be spun in jog mode to allow a natural timeline scroll. The jog control allows free movement for precise positioning of the playback point. Shuttle uses the clutch, and you can rotate forward and reverse wind to move up and down the timeline. Scroll allows scrolling up and down a long edit to navigate quickly.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFast Source Tape Allows Scrolling Clips\u003c\/strong\u003e\u003cbr\u003eThe innovative source button instantly creates a \"source tape\" of all the clips in your bin. Now you can simply scroll up and down all your media without the need to navigate thousands of clips. The clip being viewed is also highlighted in the bin in real time. Switching between the source tape and timeline is instant.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInstantly Re-Sort Bin and Source Tape\u003c\/strong\u003e\u003cbr\u003eThe source tape uses your bin's sort order, so you get lots of control over how shots are organised. This gives you the flexibility to find shots by time, camera, duration, or even clip name. The moment one of the bin sort buttons is selected, the source tape will be regenerated in that bin's sort order. Simply scroll up and down the source tape to find the shots needed. Sort by timecode to see all the bin media sorted by time, which is highly useful for content shot in time order, such as live events. You can also sort by camera, ideal for multicamera shoots where you lay down the wide shot first and then look for cutaways on other cameras. You can even sort by duration and the clip name.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFast In and Out Points\u003c\/strong\u003e\u003cbr\u003eThe in and out point buttons are designed large, and a small empty space is provided above them to allow locating them by feel. That helps when doing transport control with your right hand and punching in and out points using your left hand. When you select in and out points in the DaVinci Resolve cut page, you also trim clips. Once the in and out points are set, just reach your fingers up to the edit buttons. The in and out points can also be used to contract the source tape to limit the clips included. Then you can change the source tape back to the whole bin by pressing the Escape key.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIntelligent Keyboard Edit Modes\u003c\/strong\u003e\u003cbr\u003eThe editing functions are located just above the in and out keys, to allow a simple movement of your fingers to activate the edit you require. Because editing with a keyboard is quite different to editing on a computer's user interface, the editing functions have been optimised to take advantage of the speed of a keyboard. Most edits can be performed on the source clip without needing to place edit points on the timeline itself, eliminating time wasted switching between source and timeline. The edit points can automatically locate the nearest timeline edit or even match timecode. 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Suitable for editors and colourists that need a portable control surface, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary colour-correction tools in the included Resolve software. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.\u003c\/p\u003e\r\n\u003cp\u003eThe Micro Panel uses a USB 3.0 Type-C interface that allows you to connect to a computer or laptop and power the panel, alleviating the need for a separate power supply. It also interfaces with Mac, Windows, or select Linux systems. For the panel to work with Resolve, your computer must be running DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or later. 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Each input has its own standards converter, which allows you to seamlessly switch between inputs no matter what format it is. The Constellation 8K incorporates four DVE, 16 Keyers, and four media players, allowing for flexibility in creating your program. Four multiview outputs enable viewing 4, 7, 10, 13, or 16 simultaneous views.\u003c\/p\u003e\r\n\u003cp\u003eThe relatively large LCD view screen on the front of the unit displays the input video with a label of the input number. You can control the Constellation 8K locally via the front panel buttons, or you can use the built-in Ethernet connector to control the system from a computer using the included control panel software. The built-in Fairlight audio mixer supports 80 channels of de-embedded audio from SDI, plus 64 channels via MADI in. Talkback functionality is available via the 5-pin XLR on the front of the unit, or the RJ12 connector on the back.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003cbr\u003eThe ATEM Constellation 8K features the following built-in capabilities:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e16 upstream keyers in Ultra HD, 4 in 8K supporting chroma, linear, and luma keying\u003c\/li\u003e\r\n\u003cli\u003e4 downstream keyers in Ultra HD, 2 in 8K.\u003c\/li\u003e\r\n\u003cli\u003e16 advanced chroma keyers in Ultra HD, 4 in 8K\u003c\/li\u003e\r\n\u003cli\u003eTalkback communication is supported\u003c\/li\u003e\r\n\u003cli\u003eMix-minus is supported\u003c\/li\u003e\r\n\u003cli\u003eThere are 4 transition keyers (Stinger\/DVE)\u003c\/li\u003e\r\n\u003cli\u003eSupports up to 28 layers in UHD and 7 layers in 8K\u003c\/li\u003e\r\n\u003cli\u003e21 pattern generators are available in Ultra HD, while only 9 are available in 8K\u003c\/li\u003e\r\n\u003cli\u003eSupport for 2 color generators\u003c\/li\u003e\r\n\u003cli\u003e4 DVE with 3D borders and drop shadow are supported in Ultra HD; one is supported in 8K\u003c\/li\u003e\r\n\u003cli\u003eControl is via front push-button switching with illuminated buttons, software, or an optional hardware panel.\u003c\/li\u003e\r\n\u003cli\u003e64 routable windows in Ultra HD, and 16 in 8K\u003c\/li\u003e\r\n\u003cli\u003eTally support (red for program, green for preview)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eATEM Software Control Panel\u003c\/strong\u003e\u003cbr\u003eThe included ATEM Software Control Panel provides control over the switcher. Featuring a well-designed interface with a visual switcher and parameter palettes for making quick adjustments, the ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-In Fairlight Audio Mixer\u003c\/strong\u003e\u003cbr\u003eThe ATEM Constellation features a built-in Fairlight audio mixer that makes it possible to do extremely complex live sound mixing. The internal mixer supports up to 156 channels. Eighty mixer channels are de-embedded from the SDI inputs, and each input channel features a high-quality 6-band parametric EQ and compressor, limiter, expander, and noise gate, as well as full panning. Extra channels for the analog input, talkback microphone, and media players are supported as well, and the audio mixing features can be controlled via the ATEM Software Control, a Mackie-compatible panel, or Fairlight Audio Console.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAdvanced Keyers\u003c\/strong\u003e\u003cbr\u003eThe ATEM Constellation 8K features 16 ATEM Advanced Keyers for high-quality chroma or luminance keying. The chroma keyer features a color picker to sample background colours for automatic generation of the key parameters. Precise controls for edge and flare are supported, and there is even a foreground color corrector, so you can match the \"look\" of the foreground layer to the background layer for making seamless compositions. The keyer can also be used for pattern and DVE keying. Then when you switch to 8K, you still get four\u003cbr\u003eindependent full-resolution 8K ATEM Advanced Keyers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-In Transitions\u003c\/strong\u003e\u003cbr\u003eBuilt into the ATEM Constellation 8K is a variety of broadcast-quality 8K native transitions such as mix, dip, wipe, and more. All transitions can be customised by adjusting parameters such as their duration, border color, border width, position, and direction. Transitions are in full 8K native. Also included are DVE transitions, suitable for graphic wipes and stingers when used with the internal media players.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMedia Pool\u003c\/strong\u003e\u003cbr\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by the two media players. The media pool can hold up to 24 full-resolution 8K stills, or 64 Ultra HD or HD stills. 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In addition, the switcher has a multiview output with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 28 channels of audio.\u003c\/p\u003e\r\n\u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real-time with no rendering required. 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To eliminate errors, ATEM Constellation HD features a preview transition feature so you can set up your transitions before you switch it on air.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-In DVE\u003c\/strong\u003e\u003cbr\u003eATEM Constellation features one independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports the position, resize, and scale, all in real-time. 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ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMedia Pool\u003c\/strong\u003e\u003cbr\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by the two or four media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds up to 20 stills and 200 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eChroma Keyers\u003c\/strong\u003e\u003cbr\u003eFor news or virtual set work, ATEM Constellation HD is perfect as it features ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the \"look\" of the foreground layer to the background layer, making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get four ATEM Advanced Keyers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUpstream Chroma Keyers\u003c\/strong\u003e\u003cbr\u003eWith four upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. The 1 M\/E model has enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment to try out different studio setups.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti-Rate 3G-SDI Input\u003c\/strong\u003e\u003cbr\u003eWith 10 multi-rate 3G-SDI input connections, the ATEM Constellation HD is compatible with all types of HD video sources. You can connect equipment in all HD television standards, including 720p, 1080i, and 1080p formats. Only multi-rate 3G-SDI allows switching between HD formats, so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. Plus, the program outputs include talkback, tally, and camera control information. That means you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003cbr\u003eATEM Constellation HD is the world's first live production switcher that fully embraces live professional audio production. All SDI inputs are connected to a built-in Fairlight audio mixer that features a 6-band parametric EQ, compressor, limiter, noise gate, and expander on each input. The Fairlight audio mixer even has additional inputs for mixing audio from analogue inputs, talkback microphones for voice-over, and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eATEM Software Control Panel\u003c\/strong\u003e\u003cbr\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included for free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. You can run the software on Mac or Windows.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupports Optional Control Panels\u003c\/strong\u003e\u003cbr\u003eATEM Advanced Panels feature an industry-standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customisable illumination colour, a DVE joystick, and a T-bar fader. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labelling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBlackmagic Design ATEM 1 M\/E Constellation HD Live Production Switcher (1 RU)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44582825427221,"sku":"SWATEMSCN2\/1ME1\/HD","price":1619.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/2_310_26.jpg?v=1680295095"},{"product_id":"blackmagic-design-atem-2-m-e-constellation-hd","title":"Blackmagic Design ATEM 2 M\/E Constellation HD","description":"\u003cp\u003ePowerful live event HD switching, supporting up to 20 individual 3G\/HD-SDI inputs built into a 1 RU chassis, is at hand with the \u003cstrong\u003eBlackmagic Design ATEM 2 M\/E Constellation HD Live Production Switcher. \u003c\/strong\u003eSupporting 3G-SDI and HD-SDI signals, the switcher connects to a wide range of cameras and sources, delivering program output via 12 3G-SDI BNC outputs or a webcam output via USB Type-C. In addition, the switcher has two multiview outputs with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 48 channels of audio.\u003c\/p\u003e\n\u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real-time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBroadcast-Quality Transitions\u003c\/strong\u003e\u003cbr\u003eThe ATEM Constellation HD includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customised in the system control menus with adjustments for border colour, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen, revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation HD features a preview transition feature so you can set up your transitions before you switch it on air.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-In DVE\u003c\/strong\u003e\u003cbr\u003eThe ATEM Constellation features two independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports the position, resize, and scale, all in real-time. The DVE lets you create professional picture-in-picture effects with customisable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. The 2 M\/E model includes SuperSource processors for six DVEs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSuperSource\u003c\/strong\u003e\u003cbr\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E model includes powerful SuperSource multilayer processors with four extra DVE layers plus a background layer, all appearing to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built-in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiview\u003c\/strong\u003e\u003cbr\u003eConfigurable to 16, 13, 10, 7, or 4 up view. It includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 2 M\/E model features two multiview outputs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProfessional Broadcast Talkback\u003c\/strong\u003e\u003cbr\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMedia Pool\u003c\/strong\u003e\u003cbr\u003eThe built-in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the two or four media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 2 M\/E models can hold 40 stills and 400 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eChroma Keyers\u003c\/strong\u003e\u003cbr\u003eFor news or virtual set work, ATEM Constellation HD is perfect as it features lots of ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get eight ATEM Advanced Keyers on the 2 M\/E model.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUpstream Chroma Keyers\u003c\/strong\u003e\u003cbr\u003eWith four upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. With so many ATEM Advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. The 2 M\/E model has enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment to try out different studio setups.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti-Rate 3G-SDI Input\u003c\/strong\u003e\u003cbr\u003eWith up to 20 multi-rate 3G-SDI input connections, depending on the model, the ATEM Constellation HD is compatible with all types of HD video sources. You can connect equipment in all HD television standards, including 720p, 1080i, and 1080p formats. Only multi-rate 3G-SDI allows switching between HD formats, so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. Plus, the program outputs include talkback, tally, and camera control information. That means you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003cbr\u003eATEM Constellation HD fully embraces live professional audio production. All SDI inputs are connected to a built-in Fairlight audio mixer that features a 6-band parametric EQ, compressor, limiter, noise gate, and expander on each input.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eATEM Software Control Panel\u003c\/strong\u003e\u003cbr\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included for free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet, and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders. You can save the full state of the switcher as XML files, plus all media is backed up from the media pool. You can run the software on Mac or Windows.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupports Optional Control Panels\u003c\/strong\u003e\u003cbr\u003eThree models of ATEM Advanced Panels are available. ATEM Advanced Panels feature an industry-standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customisable illumination colour, a DVE joystick, and a T-bar fader. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labelling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic Design ATEM 2 M\/E Constellation HD Live Production Switcher (1 RU)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44582827032853,"sku":"SWATEMSCN2\/1ME2\/HD","price":2745.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/2_310_27.jpg?v=1680295105"},{"product_id":"blackmagic-design-atem-4-m-e-constellation-hd","title":"Blackmagic Design ATEM 4 M\/E Constellation HD","description":"\u003cp\u003ePowerful live event HD switching, supporting up to 40 individual 3G-\/HD-SDI inputs built into 2 RU chassis, is at hand with the \u003cstrong\u003eBlackmagic Design ATEM 4 M\/E Constellation HD Live Production Switcher\u003c\/strong\u003e. Supporting 3G-SDI and HD-SDI signals, the switcher connects to a wide range of cameras and sources, delivering program output via 24 3G-SDI BNC outputs or a webcam output via USB Type-C. In addition, the switcher has four multiview outputs with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 156 channels of audio.\u003c\/p\u003e\r\n\u003cp\u003eThe switcher features a reference video input, and each input features a frame synchroniser, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real-time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBroadcast-Quality Transitions\u003c\/strong\u003e\u003cbr\u003eThe ATEM Constellation HD includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customised in the system control menus with adjustments for border colour, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation HD features a preview transition feature so you can set up your transitions before you switch it on air.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-In DVE\u003c\/strong\u003e\u003cbr\u003eThe ATEM Constellation features four independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports the position, resize, and scale, all in real-time. The DVE lets you create professional picture-in-picture effects with customisable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. The 4 M\/E model includes SuperSource processors for eight DVEs, creating a total of 12 DVEs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSuperSource\u003c\/strong\u003e\u003cbr\u003eIn addition to the DVEs in the M\/E rows, the 4 M\/E model includes powerful SuperSource multilayer processors with eight extra DVE layers plus a background layer, all appearing to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multilayer VFX switcher built-in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiview\u003c\/strong\u003e\u003cbr\u003eConfigurable to 16, 13, 10, 7, or 4 up view, it includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 4 M\/E model features four multiview outputs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProfessional Broadcast Talkback\u003c\/strong\u003e\u003cbr\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMedia Pool\u003c\/strong\u003e\u003cbr\u003eThe built-in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the four media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 4 M\/E models can hold 60 stills and 1200 frame animations, with four video clips up to 1080p60. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eChroma Keyers\u003c\/strong\u003e\u003cbr\u003eFor news or virtual set work, ATEM Constellation HD is perfect as it features lots of ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get 16 ATEM Advanced Keyers on the 4 M\/E model.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUpstream Chroma Keyers\u003c\/strong\u003e\u003cbr\u003eWith four upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. With so many ATEM Advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. The 4 M\/E model has enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment to try out different studio setups.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti-Rate 3G-SDI Input\u003c\/strong\u003e\u003cbr\u003eWith up to 20 multi-rate 3G-SDI input connections, depending on the model, the ATEM Constellation HD is compatible with all types of HD video sources. You can connect equipment in all HD television standards, including 720p, 1080i, and 1080p formats. Only multi-rate 3G-SDI allows switching between HD formats, so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. Plus, the program outputs include talkback, tally, and camera control information. That means you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003cbr\u003eThe ATEM Constellation HD fully embraces live professional audio production. All SDI inputs are connected to a built-in Fairlight audio mixer that features a 6-band parametric EQ, compressor, limiter, noise gate, and expander on each input. On the ATEM 4 M\/E Constellation HD model, there are two MADI outputs for breaking out channels 1, 2, 3, and 4 of the first 30 SDI inputs out to an external audio engineer, plus a MADI input for allowing an extra 32 external audio channels into the audio mixer. The Fairlight audio mixer even has additional inputs for mixing audio from analogue inputs, talkback microphones for voice-over, and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eATEM Software Control Panel\u003c\/strong\u003e\u003cbr\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included for free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. You can run the software on Mac or Windows.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSupports Optional Control Panels\u003c\/strong\u003e\u003cbr\u003eThree models of ATEM Advanced Panels are available. ATEM Advanced Panels feature an industry-standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customisable illumination colour, a DVE joystick, and a T-bar fader. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labelling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBlackmagic Design ATEM 4 M\/E Constellation HD Live Production Switcher (2 RU)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44582827950357,"sku":"SWATEMSCN2\/1ME4\/HD","price":6135.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/2_310_28.jpg?v=1680295125"},{"product_id":"blackmagic-design-hyperdeck-shuttle-hd","title":"Blackmagic Design HyperDeck Shuttle HD","description":"\u003cp\u003eAdd a desktop shuttle to quickly and easily play back video clips with this \u003cstrong\u003eHyperDeck Shuttle HD \u003c\/strong\u003efrom\u003cstrong\u003e Blackmagic Design\u003c\/strong\u003e. The HyperDeck Shuttle HD features a compact design that allows you to run your HDMI video in and out and connect to a computer or ATEM switch to control media playback using its large search dial and buttons. It also features a built-in teleprompter to utilize any text files, without requiring third-party software.\u003c\/p\u003e\r\n\u003cp\u003eThe Shuttle HD runs Blackmagic OS, supports ProRes and DNx file formats, and it is compatible with a wide range of editing software such as Premiere Pro, Avid, and DaVinci Resolve, and it can also be used to stream H.264 video to streaming services such as YouTube or Vimeo. It can be used to record video using its SD card slot or USB Type-C output to an optional drive, or you can connect to the Blackmagic MultiDock to record to multiple SSDs. The Ethernet port provides external control and file transfers over a network.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMastering Recorder\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWith support for H.264, ProRes, and DNx files, you can record true broadcast masters. You can even select between PCM or AAC audio. That's great for higher-quality mastering when used with ATEM Mini switchers. You get everything needed to send shows to broadcasters and for uploading to streaming services like YouTube.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eMedia Player\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe large search dial lets you visually browse your clip library, then you can use the previous clip button to cue the start of the clip. After playing, you can use the clip button to stop the playback at the end of the clip. ATEM switchers can even remote control HyperDeck Shuttle via Ethernet.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHyperDeck Shuttle includes a control panel that's very fast to use, and the buttons are similar to a traditional broadcast deck. Simply press the record button and you instantly start recording the video input to a file. The large machined metal search dial supports shuttle, jog, and scroll so you can find clips fast. Plus, all deck control functions can be triggered remotely using the Ethernet network.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eSupports SD Cards and UHS-II Cards\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHyperDeck Shuttle supports recording to common SD and UHS-II cards so you don't need expensive custom media. SD cards are the perfect choice for broadcast media because they are small and very affordable. Plus, you can even record to external drives via USB Type-C. When using USB disks, if you use a USB hub or Blackmagic MultiDock, you can even record on multiple disks for nonstop recording. When using H.264, the files are so small you get very long recordings even on smaller low-cost cards. This means you can record up to 157 hours of H.264 in 1080p59.94 on a 1TB card.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003ePopular ProRes, DNx, and H.264 Files\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHyperDeck Shuttle HD supports the most popular codecs in use today, including broadcast-quality DNx and ProRes file formats. You also get space-saving H.264 when recording in NTSC, PAL, 720p, 1080p plus even true 1080i interlaced formats. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. HyperDeck Shuttle HD supports both ExFAT used on Windows and HFS+ used on macOS disk formatting standards, so disks can be mounted and read on both platforms. It also supports recording long-duration events into a single video file.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eVideo and Control Connections\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe HDMI input can be connected to cameras and switchers such as ATEM Mini, and the HDMI output can be connected to monitors for presentations or ATEM Mini switchers as a long-form media player. The rear panel also includes a 12 VDC power input and a power supply is included. The 1 Gigabit Ethernet connection allows control and remote file uploads.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eHDMI Compatibility with ATEM Mini Switchers\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWith built-in HDMI input and output, you can connect to consumer cameras, monitors, televisions, video projectors, and even ATEM Mini switchers. The HDMI connections will automatically switch video standards to handle both SD and HD equipment.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eBuilt-In Teleprompter\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWith such a large search dial, HyperDeck Shuttle HD can be used as a teleprompter. Simply change to teleprompter in the record menu and it will read standard RTF text files like scripts, without the need for custom software. Scripts can be written in simple text editors such as TextEdit. You can move between multiple scripts with the previous and next clip buttons. If you press both jog and scroll buttons, you can live scroll the script like a traditional teleprompter, as well as adjust the size and font displayed.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eNetwork File Transfers\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHyperDeck Shuttle allows media files to be uploaded remotely using simple FTP client software. With 1G Ethernet built into the HyperDeck Shuttle, file transfers are very fast, and sometimes faster than the SD card media disk. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe innovative Blackmagic OS has been designed for high-performance film and broadcast products, and it manages all functions on HyperDeck Shuttle. Only Blackmagic OS provides instant power on while including powerful features such as video recording, timecode, audio, menu overlays, fast networking, multi-disk media management, and even localization. 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This 1-lane PCIe slot playback card with SDI and HDMI inputs is, compatible with 1-, 4-, 8-, and 16-lane PCIe slots, allowing you to capture up to DCI 2K video over SDI, and HD video over HDMI 2.0.\u003c\/p\u003e\r\n\u003cp\u003eThe card is compatible with such software packages as Wirecast, vMix, and OBS. In addition, the card supports hardware-based real-time color space conversion. 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This 1-lane PCIe slot playback card with SDI and HDMI outputs, compatible with 1-, 4-, 8-, and 16-lane PCIe slots, providing you with just the playback and monitoring functionality for delivering broadcast-quality video via HDMI or SDI monitors.\u003c\/p\u003e\r\n\u003cp\u003eThe card supports up to DCI 2k formats and is compatible with such software packages as DaVinci Resolve and Final Cut Pro. In addition, the card supports hardware-based real-time color space conversion. The card also automatically switches between SD and HD formats, so it'll handle all common video formats as well as HDR.\u003c\/p\u003e\r\n\u003cp\u003eNote: For use on a Mac, a Mac Pro is required with PCI Express slots. 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Using features such as high-quality buttons, knobs, fader bars, and a 3-axis joystick, you'll be able to customize the extensive panel to your precise needs.\u003c\/p\u003e\r\n\u003cp\u003eComplex live productions require a versatile control panel, and the ATEM 2 M\/E Advanced Panel allows you to customize, monitor, and switch your live broadcast events with features such as camera switching, executing transitions, fades, DVE effects, and it also sports 8 on-air indicators. The panel features two rows of M\/E with 20 input buttons per row, two system control LCDs, independent LCDs for custom labeling of every row and button, 20 direct cross points, 40 shifted cross points, two preview transitions, and various DSK transition selectors such as Auto, Cut, and Tie\/Preview.\u003c\/p\u003e\r\n\u003cp\u003eThe ATEM 2 M\/E Advanced Panel connects to the switcher via 10\/100\/1000 BaseT Ethernet, and there are four Ethernet loop outputs for connecting to another panel or to a media-management computer. The panel receives firmware updates via its USB Type-C input.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTri-color LED crosspoint buttons, 20 direct cross points and 40 shifted cross points\u003c\/li\u003e\r\n\u003cli\u003eTwo M\/E rows with 20 input buttons in each row\u003cbr\u003eTwo system control LCDs for each row and LCDs for customizing labels for each button\u003c\/li\u003e\r\n\u003cli\u003eTwo fader bars, 3-axis joystick, numeric keypad\u003c\/li\u003e\r\n\u003cli\u003eEight on-air indicators\u003c\/li\u003e\r\n\u003cli\u003eTwo transition previews with transition rate display\u003c\/li\u003e\r\n\u003cli\u003eCompatible Operating Systems\u003c\/li\u003e\r\n\u003cli\u003emacOS 10.14 Mojave, 10.15 Catalina or later\u003c\/li\u003e\r\n\u003cli\u003eWindows 10, 64-bit\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44584259485973,"sku":"SWPANELADV2ME20","price":9709.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1594656940_img_1387433_1.jpg?v=1680311436"},{"product_id":"blackmagic-design-atem-2-m-e-advanced-panel-30","title":"Blackmagic Design ATEM 2 M\/E Advanced Panel 30","description":"\u003cp\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44584260141333,"sku":"SWPANELADV2ME30","price":11965.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1655375459_img_1774853.jpg?v=1680311451"},{"product_id":"blackmagic-atem-1-m-e-advanced-panel-10","title":"Blackmagic ATEM 1 M\/E Advanced Panel 10","description":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBlackmagic Design ATEM 1 M\/E Advanced Panel\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a full-featured hardware control panel for BMD ATEM switchers. It connects via Ethernet and provides hands-on tactile control, essential for broadcast studios. An LCD information display surrounded by soft-touch menu buttons and rotary encoders allows for intuitive programming of control functions. Aside from the main display, each programmable button has an LCD scribble strip to illustrate its function. Since buttons can perform different functions, up to 20 inputs can be accessed by shifting the 10 input buttons. The buttons themselves have curved indentations to help avoid incorrect keystrokes. Real-time dynamic controls are available in the form of a single 3-axis joystick and large weighted T-bar fader. Use the joystick to remotely control PTZ cameras or effects, and the T-bar to adjust transitions, wipes, fades, and more.\u003c\/p\u003e\n\u003cp\u003eAt the rear of the unit are dual Ethernet connections, a USB port for firmware updates, and power inputs. Use the IEC input for connecting to mains power, and the 4-pin XLR 12V input for DC power supplies. The panel's chassis is sized small enough to fit in a standard equipment rack, allowing it to be implemented in broadcast trucks and fly-away kits.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\n\u003cul\u003e\n\u003cli\u003eSwitching Features\u003c\/li\u003e\n\u003cli\u003e10 direct crosspoints\u003c\/li\u003e\n\u003cli\u003e20 shifted crosspoints\u003c\/li\u003e\n\u003cli\u003eTri-color LED crosspoint buttons with 3-row, 24-character LCD scribble strips\u003c\/li\u003e\n\u003cli\u003e4 on-air indicators\u003c\/li\u003e\n\u003cli\u003eAuto, cut, tie\/preview DSK transition selectors\u003c\/li\u003e\n\u003cli\u003e3 LCD menu displays\u003c\/li\u003e\n\u003cli\u003e20-button menu control\u003c\/li\u003e\n\u003cli\u003e1 destination bus\u003c\/li\u003e\n\u003cli\u003e1 source select bus\u003c\/li\u003e\n\u003cli\u003eWeighted T-bar fader\u003c\/li\u003e\n\u003cli\u003e3-axis joystick\u003c\/li\u003e\n\u003cli\u003eNumeric keypad\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44877240926485,"sku":"SWPANELADV1ME10","price":4979.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1517932232_1389184.jpg?v=1684746590"},{"product_id":"blackmagic-design-atem-microphone-converter","title":"Blackmagic Design ATEM Microphone Converter","description":"\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eWhether you're building a podcasting studio or you just need more microphones, the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBlackmagic Design ATEM Microphone Converter\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eallows audio-input expansion for your ATEM Television Studio by converting four analog XLR inputs to MADI. Equipped with two BNC MADI I\/O ports, the Microphone Converter simply plugs into the ATEM Television Studio MADI port, so there's no complex setup required—and additional units can even be daisy chained for more sources. The four XLR-1\/4\" combo analog inputs are mic-\/line-selectable and provide 48V phantom power.\u003c\/p\u003e\n\u003cp\u003eThe ATEM Microphone Converter utilizes 32-bit float digital preamps and eight ADCs per input to capture clip-free, 24-bit \/ 48 kHz recordings with an extremely low noise floor, a wide dynamic range, and very low distortion—no matter how loud or quiet a performance gets. A convenient HDMI output with scrolling audio waveforms enables you to connect a display to monitor the status of your audio. USB and Ethernet ports allow for remote admin and software updates via the ATEM Software Control app.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDigital Preamplifier Design\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eWith the four, wide-dynamic-range inputs that eliminate the need for analog preamplifiers, microphone levels are adjusted by a digital preamplifier gain stage that is extremely stable.\u003c\/li\u003e\n\u003cli\u003eThe analog audio levels of different microphone types and brands can vary widely, so this digital gain stage allows compensation for the specific brand of microphone you use. Best of all, the digital preamplifier is processed in the full internal 32-bit float RAW audio bit depth, so you're adjusting with much greater precision than the MADI audio standard can support. This results in an extremely clean and noise-free gain stage. Then, the final levels can be finessed on the ATEM audio mixer as you work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHigh-End Analog-to-Digital Conversion\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe ATEM Microphone Converter steps outside conventional audio industry design practice of using an individual audio ADC, as each input implements analog-to-digital conversion using eight high-dynamic-range audio ADCs that function collectively as one ultrahigh-dynamic-range audio ADC. This means each input channel delivers an impressive 131 dBA of dynamic range. Plus you get a remarkably low distortion of only 0.002%.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eExtremely Low -129 dBV Noise Floor\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eA common problem with mic converters is the higher noise floor where electrical noise is generated in the preamplifiers. The ATEM Microphone Converter eliminates this problem by using a very different design. The input is converted directly using its ultrahigh-dynamic-range conversion, so you pass RAW audio to the switcher, and then let the switcher apply as much gain as required for the correct audio level.\u003c\/li\u003e\n\u003cli\u003eThis means you don't get an injection of noise caused by an analog gain stage, so you get an extremely low, fixed noise floor of -129 dBV, regardless of digital gain applied.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePrecisely Matched Analog Inputs\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe ATEM Microphone Converter features extremely precise matching between the four audio-input channels. The multi-ADC-per-input design technique means that each analog audio input has very similar specifications and tolerances, so all input channels are statistically more uniform. This means you get similar performance no matter what input you connect the microphone to—and even between multiple ATEM Microphone Converters.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eConnects via MADI for Multichannel Audio\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe ATEM Microphone Converter’s MADI output embeds the four analog inputs as MADI channels 1, 2, 3, and 4. The converter also includes a MADI input, which is used to loop multiple converters when you need more than four channels of audio on a single MADI link.\u003c\/li\u003e\n\u003cli\u003eThis means if a second converter is connected to the input of another, the upstream converter will stack its four channels above the four channels on the downstream converter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHDMI Monitoring with Scrolling Audio Waveforms\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe ATEM Microphone Converter also includes an HDMI video monitoring output, so you can connect a simple TV or computer monitor for a full status display. It enables you to display four scrolling waveforms over the last 60 seconds of recording time, which is informative to watch. There are also audio meters to show the levels at the input connectors. Each channel also includes a custom label set via the software utility.\u003c\/li\u003e\n\u003cli\u003eThere are also indicators to show the switch settings for mic-\/line-input selection and phantom power. Plus if you daisy-chain converters, the monitoring output will adapt and display more than four channels. You can even set a converter name that will be displayed on the monitoring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44893479960853,"sku":"SWATEMTVSTDMC","price":629.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1677164151_1753949.jpg?v=1684915996"},{"product_id":"blackmagic-atem-television-studio-hd8","title":"Blackmagic ATEM Television Studio HD8","description":"\u003cspan\u003eAdd an all-in-one live streaming switcher to your television studio, remote production, or live venue with the \u003c\/span\u003e\u003cb\u003eATEM Television Studio HD8\u003c\/b\u003e\u003cspan\u003e from \u003c\/span\u003e\u003cb\u003eBlackmagic Design\u003c\/b\u003e\u003cspan\u003e. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.\u003c\/span\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe switcher features an all-new button layout, and it's made from polycarbonate material, so it's much lighter than its predecessor. It provides numerous enhancements to the layout with professional buttons, LCD label displays, and an easy-to-navigate button layout.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44893532750101,"sku":"SWATEMTVSTA\/HD08","price":5475.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1677164151_1753950.jpg?v=1684916780"},{"product_id":"blackmagic-design-atem-1-m-e-advanced-panel-20","title":"Blackmagic Design ATEM 1 M\/E Advanced Panel 20","description":"Control your BMD ATEM switcher with the ATEM 1 M\/E Advanced Panel 20 from Blackmagic Design. The full-featured control panel is an essential companion for any ATEM switcher, providing tactile accessibility and two independent system control LCDs to manage switching tasks during production, regardless of size and scope. Four-port Ethernet connectivity on the rear of the panel ensures that no additional network equipment is required and that the unit will integrate seamlessly into the most challenging live production applications.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe unit features a wide array of colour backlit buttons, including 20 input buttons, and it has buttons for controlling up to four upstream and four downstream keyers as well as four M\/E rows. A dynamic 3-axis joystick and an ergonomically designed T-bar facilitate precise, real-time DVE control with the T-bar, providing targeted adjustment prowess for wipes, fades, and other broadcast-quality transitions. In addition to allowing you to create adjustable auto transitions, the panel has a dedicated preview transition button and a single-button Fade to Black option that is applicable to the entire output, all at once.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMains power is provided via an optional power cord connected to the IEC input, which also offers a second input option for redundant power. A built-in USB-C port is included for firmware updates. The compact panel design allows the unit to fit in standard equipment racks, so that it may be easily integrated in fly-away kits or broadcast trucks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSwitching Features\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003e20 direct crosspoints\u003c\/li\u003e\n\u003cli\u003e40 shifted crosspoints\u003c\/li\u003e\n\u003cli\u003eTri-colour LED crosspoint buttons\u003c\/li\u003e\n\u003cli\u003e2 LCD menu displays\u003c\/li\u003e\n\u003cli\u003e1 destination bus\u003c\/li\u003e\n\u003cli\u003e1 source select bus\u003c\/li\u003e\n\u003cli\u003eNumeric keypad\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47907857367317,"sku":"SWPANELADV1ME20","price":5859.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1694702738_1787636.jpg?v=1705565881"},{"product_id":"blackmagic-design-atem-1-m-e-advanced-panel-30","title":"Blackmagic Design ATEM 1 M\/E Advanced Panel 30","description":"Control your BMD ATEM switcher with the ATEM 1 M\/E Advanced Panel 30 from Blackmagic Design. The full-featured control panel is an essential companion for any ATEM switcher, providing tactile accessibility and three independent system control LCDs to manage switching tasks during production, regardless of size and scope. Four-port Ethernet connectivity on the rear of the panel ensures that no additional network equipment is required and that the unit will integrate seamlessly into the most challenging live production applications.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe unit features a wide array of colour backlit buttons, including 30 input buttons, and it has buttons for controlling up to four upstream and four downstream keyers as well as four M\/E rows. A dynamic 3-axis joystick and an ergonomically designed T-bar facilitate precise, real-time DVE control with the T-bar, providing targeted adjustment prowess for wipes, fades, and other broadcast-quality transitions. In addition to allowing you to create adjustable auto transitions, the panel has a dedicated preview transition button and a single-button Fade to Black option that is applicable to the entire output, all at once.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMains power is provided via an optional power cord connected to the IEC input, which also offers a second input option for redundant power. A built-in USB-C port is included for firmware updates. The compact panel design allows the unit to fit in standard equipment racks, so that it may be easily integrated in fly-away kits or broadcast trucks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSwitching Features\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003e30 direct crosspoints\u003c\/li\u003e\n\u003cli\u003e60 shifted crosspoints\u003c\/li\u003e\n\u003cli\u003eTri-colour LED crosspoint buttons\u003c\/li\u003e\n\u003cli\u003e3 LCD menu displays\u003c\/li\u003e\n\u003cli\u003e2 destination bus\u003c\/li\u003e\n\u003cli\u003e2 source select bus\u003c\/li\u003e\n\u003cli\u003eNumeric keypad\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47907885187349,"sku":"SWPANELADV1ME30","price":8495.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1694704531_1787640.jpg?v=1705566173"},{"product_id":"blackmagic-design-davinci-resolve-micro-color-panel","title":"Blackmagic Design DaVinci Resolve Micro Color Panel","description":"\u003cp\u003eDesigned to work in tandem with your Apple iPad Pro, the DaVinci Resolve Micro Color Panel from Blackmagic Design provides the same level of professional color control as other panels but with a beginner-friendly interface. The panel provides more color and a faster workflow to DaVinci Resolve Studio software than working just with a keyboard and mouse. It consists of three high-resolution trackballs, 12 control knobs, and several buttons to adjust parameters like Y lift, Y gamma, Y gain, and contrast.\u003c\/p\u003e\n\u003cp\u003eThe controls of the panel are in similar places as the controls of the advanced versions. You can even adjust the power window shape, size, and position, softness, or resize the input image. The Micro Color Panel is not much larger than a standard keyboard and features a slot to mount your iPad Pro and use the tablet as your software display. Connect to your iPad or personal computer via Bluetooth or USB-C connection. The panel runs on an internal battery or USB-C power.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrimary Adjustment Controls\u003c\/strong\u003e\u003cbr\u003eControl knobs are grouped into four sets of three knobs.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminance\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eY Lift control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment allows changing the black point without changing saturation.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eY Gamma control: Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth and extra vibrancy to shots.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eY Gain control: Adjust the contrast of the image in the highlight areas, specifically in the Y (luminance) channel only. This adjustment allows you to change the highlights without changing saturation.\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eContrast\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContrast Control: Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePivot: Change the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMid-Tone Detail: Affect the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition. Often used for softening facial features, making it popular for beauty shots.\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDetail\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without oversaturating the image.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eShadow Control: Selectively lighten or darken shadow detail without affecting your image's mid-tones.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHighlight Control: Enable retrieving blown-out highlight detail in high dynamic range media by lowering this parameter. This allows you to achieve a smooth blend between the retrieved highlights and unadjusted mid-tones for a natural-looking image.\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSaturation\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIncreases or decreases overall image saturation. You can turn your color image into a grayscale image with this control.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHue Control: Rotate all hues of the image around 360° of the color wheel. The default setting is 50, which retains the original distribution of hues.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLuminance Mix Control: Control the balance between the YRGB adjustments and\u003c\/li\u003e\n\u003cli\u003eY-only adjustments made using the Y channel lift, gamma, and gain controls.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48418654224661,"sku":"DV\/RES\/AAAPNLMIC\/EN","price":765.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1712934943_IMG_2231906.jpg?v=1720746059"},{"product_id":"blackmagic-design-micro-converter-bidirectional-sdi-hdmi-12g-with-power-supply","title":"Blackmagic Design Micro Converter BiDirectional SDI\/HDMI 12G with Power Supply","description":"\u003cp\u003eEasily combine SDI and HDMI components in your video setup with the Micro Converter BiDirectional SDI\/HDMI 12G from Blackmagic Design. 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