{"title":"Video -\u003e Lenses","description":"","products":[{"product_id":"canon-cn-e-14mm-t3-1-l-f-cinema-prime-lens-ef-mount","title":"Canon CN-E 14mm T3.1 L F Cinema Prime Lens (EF Mount)","description":"\u003cp\u003eThe \u003cstrong\u003eCanon CN-E 14mm T3.1 L F \u003ca href=\"https:\/\/www.cameraelectronic.live\/video-audio\/video-audio-cameras\/cinema-cameras\" title=\"Cinema Camera Lenses\"\u003eCinema Prime Lens\u003c\/a\u003e\u003c\/strong\u003e is an ultra wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.\u003c\/p\u003e\n\u003cp\u003eThe \u003ca href=\"https:\/\/www.cameraelectronic.live\/lenses\/for-canon\" title=\"Canon Camera Lenses\"\u003eCanon lens\u003c\/a\u003e offers a maximum T stop of 3.1 and has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e\n\u003cp\u003eThe lens is designed to minimise focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It has focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. It also has a dust and water resistant housing to minimise maintenance.\u003c\/p\u003e\n\u003cp\u003eThe CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36° iris rotation, and focus and iris gear positions, allowing for easier lens swaps.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCovers Full Frame and Super 35 sensors\u003c\/li\u003e\n\u003cli\u003e11-blade iris\u003c\/li\u003e\n\u003cli\u003eFocus breathing minimised to virtually zero\u003c\/li\u003e\n\u003cli\u003eDistance markings on both sides of the barrel\u003c\/li\u003e\n\u003cli\u003eRear markings on an angled surface\u003c\/li\u003e\n\u003cli\u003eSmooth, stepless 300° focus ring\u003c\/li\u003e\n\u003cli\u003eGeared manual iris ring\u003c\/li\u003e\n\u003cli\u003eShares 114mm front barrel diameter, focus rotation, 36° iris rotation, and focus and iris gear positions with the rest of the CN-E line-up\u003c\/li\u003e\n\u003cli\u003eGlass construction counteracts temperature-induced marking discrepancies\u003c\/li\u003e\n\u003cli\u003eDust and water resistant housing\u003c\/li\u003e\n\u003cli\u003eFocus markings can be switched to metric labelling if you send the lens to Canon for modification\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":44573925802261,"sku":"CN1431LF","price":6392.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1360588761_img_302885.jpg?v=1680155643"},{"product_id":"canon-cn-e-135mm-t2-2-l-f-cinema-prime-lens-ef-mount","title":"Canon CN-E 135mm T2.2 L F Cinema Prime Lens (EF Mount)","description":"\u003cp\u003eThe\u003cstrong\u003e Canon CN-E 135mm T2.2 L F Cinema Prime Lens\u003c\/strong\u003e is a telephoto prime lens for the full-frame sensor format, which makes it an ideal lens for the Cinema EOS series and all Canon DSLRs. The maximum aperture is T2.2, and the 11 blade iris ensures beautiful, rounded bokeh. The lens features markings on both sides of the barrel, making it easy to read settings from behind or on either side of the camera. In order to make lens changes quicker and easier, the 135mm T2.2 is designed to share similar dimensions with other CN-E lenses.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eFull-frame imaging circle\u003c\/li\u003e\r\n\t\u003cli\u003e11-blade aperture diaphragm\u003c\/li\u003e\r\n\t\u003cli\u003eDesigned to fulfill 4K production standards\u003c\/li\u003e\r\n\t\u003cli\u003eMarkings on angled surfaces on both sides of the barrel\u003c\/li\u003e\r\n\t\u003cli\u003eFocus markings can be switched from standard labelling to metric\u003c\/li\u003e\r\n\t\u003cli\u003eControl rings engineered to maintain consistent operating torque\u003c\/li\u003e\r\n\t\u003cli\u003eGlass construction counteracts temperature induced marking discrepancies\u003c\/li\u003e\r\n\t\u003cli\u003eShares gear position, diameter, and rotation angle with other CN-E lenses\u003c\/li\u003e\r\n\t\u003cli\u003e114mm front diameter matches other CN-E lenses\u003c\/li\u003e\r\n\t\u003cli\u003eIdeal for Cinema EOS cameras and all EOS DSLRs\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":44574288806165,"sku":"CN13522LF","price":6110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1572891439_913669_1.jpg?v=1680163352"},{"product_id":"fujifilm-mkx-18-55mm-t2-9-manual-cinema-lens-fujifilm-x-mount","title":"FUJIFILM MKX 18-55mm T2.9 Cinema Lens","description":"\u003ch2\u003eFUJIFILM MKX 18-55mm T2.9 Manual Cinema Lens (FUJIFILM X-Mount)\u003c\/h2\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eFujinon MK18-55mm T2.9 Lens in X-Mount\u003c\/strong\u003e is a lightweight cine-style zoom lens for X-mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is click less, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lens is colour matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth inter cutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step-up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range. It is designed for camera's with a Fuji X-mount, so it has a short flange focal distance, but the lens allows for flange focal distance adjustment so you can fine-tune it to the camera you are using the lens o\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eT2.9 to T22 aperture with 9 iris blades for attractive bokeh\u003c\/li\u003e\r\n\t\u003cli\u003eThe 28.5mm diameter image circle covers the 3-perf super 35 format with a 16:9 aspect ratio\u003c\/li\u003e\r\n\t\u003cli\u003eIndustry standard 0.8 film pitch gears for focus, zoom, and iris control\u003c\/li\u003e\r\n\t\u003cli\u003eThe gear rings positions for focus, zoom, and iris are located at the same position on both lenses in the MK series, making switching between the two zooms quick as you don't have to adjust the position of lens accessories\u003c\/li\u003e\r\n\t\u003cli\u003eBoth lenses in the MK series have the same weight and length so here is no need to re-balance your camera when you change from one lens to the other\u003c\/li\u003e\r\n\t\u003cli\u003e200° focus barrel rotation\u003c\/li\u003e\r\n\t\u003cli\u003eNo shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism\u003c\/li\u003e\r\n\t\u003cli\u003eMacro focus function available\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"FUJIFILM","offers":[{"title":"Default Title","offer_id":44574302929173,"sku":"74291","price":4999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1_277.jpg?v=1680163444"},{"product_id":"fujifilm-mkx-50-135mm-t2-9-manual-cinema-lens-fujifilm-x-mount","title":"FUJIFILM MKX 50-135mm T2.9 Cinema Lens","description":"\u003ch2\u003eFUJIFILM MKX 50-135mm T2.9 Manual Cinema Lens (FUJIFILM X-Mount)\u003c\/h2\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eFujinon MK50-135mm T2.9 Lens in X-Mount\u003c\/strong\u003e is a lightweight cine-style zoom lens for X-mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine-style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is click less, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lens is colour matched to other Fujinon lenses such as the HK, ZK, and XK series, which enables smooth inter cutting between lenses. The 85mm front enables use with many cine-style matte boxes via use of optional step-up rings (rings not included). The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range. It is designed for camera's with a Fuji X-mount, so it has a short flange focal distance, but the lens allows flange focal distance adjustment so you can fine-tune it to the camera you are using the lens on.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n        \u003cli\u003eT2.9 to T22 aperture with 9 iris blades for attractive bokeh\u003c\/li\u003e\r\n        \u003cli\u003eThe 28.5mm diameter image circle covers the 3-perf super 35 format with a 16:9 aspect ratio\u003c\/li\u003e\r\n        \u003cli\u003eIndustry standard 0.8 film pitch gears for focus, zoom, and iris control\u003c\/li\u003e\r\n        \u003cli\u003eThe gear rings positions for focus, zoom, and iris are located at the same position on both lenses in the MK series, making switching between the two zooms quick as you don't have to adjust the position of lens accessories\u003c\/li\u003e\r\n        \u003cli\u003eBoth lenses in the MK series have the same weight and length so here is no need to re-balance your camera when you change from one lens to the other\u003c\/li\u003e\r\n        \u003cli\u003e200° focus barrel rotation\u003c\/li\u003e\r\n        \u003cli\u003eNo shims are required to adjust the flange focal distance as this lens has a built-in adjustment mechanism\u003c\/li\u003e\r\n        \u003cli\u003eMacro focus function available\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"FUJIFILM","offers":[{"title":"Default Title","offer_id":44574303420693,"sku":"74292","price":5299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1_278.jpg?v=1680163462"},{"product_id":"tokina-cinema-at-x-100mm-t2-9-macro-lens-sony-e-mount","title":"Tokina Cinema AT-X 100mm T2.9 Macro Lens (Sony E Mount)","description":"\u003cp\u003eThe \u003cstrong\u003eCinema AT-X 100mm T2.9 Macro Lens \u003c\/strong\u003efrom \u003cstrong\u003eTokina \u003c\/strong\u003eis a true 35mm, full-frame, 1:1 macro close-up lens that fits Sony E mount cameras. The lens achieves maximum magnification at a working distance of 11.8\". This allows enough space for lighting, the camera operator, and the subject to work comfortably.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lens's optical design is 4K-ready, super sharp, high contrast, and exhibits very low distortion and chromatic aberrations. Focus breathing is very well controlled, and the lens has a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. The wide T-stop range, from T2.9 to T32, allows for maximum control of exposure and depth-of-field, which is critical when working very close to your subject.\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":44574306926869,"sku":"100CINEFXE","price":3950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1589298343_img_1356545_1.jpg?v=1758115635"},{"product_id":"tokina-cinema-at-x-100mm-t2-9-macro-lens-canon-ef-mount","title":"Tokina Cinema AT-X 100mm T2.9 Macro Lens (Canon EF Mount)","description":"\u003cp\u003eThe \u003cstrong\u003eCinema AT-X 100mm T2.9 Macro Lens\u003c\/strong\u003e from \u003cstrong\u003eTokina \u003c\/strong\u003eis a true 35mm, full-frame, 1:1 macro close-up lens that fits Canon EF mount cameras. The lens achieves maximum magnification at a working distance of 11.8\". This allows enough space for lighting, the camera operator, and the subject to work comfortably.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe lens's optical design is 4K-ready, super sharp, high contrast, and exhibits very low distortion and chromatic aberrations. Focus breathing is very well controlled, and the lens has a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. The wide T-stop range, from T2.9 to T32, allows for maximum control of exposure and depth-of-field, which is critical when working very close to your subject.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eClose-focus 1:1 reproduction at 11.8\"\u003c\/li\u003e\r\n\t\u003cli\u003eFast T2.9 aperture\u003c\/li\u003e\r\n\t\u003cli\u003eFull-frame 35mm format lens\u003c\/li\u003e\r\n\t\u003cli\u003eMinimised breathing\u003c\/li\u003e\r\n\t\u003cli\u003eSmooth, de-clicked, 9-bladed, curved iris for beautiful out-of-focus areas\u003c\/li\u003e\r\n\t\u003cli\u003e4K-image ready\u003c\/li\u003e\r\n\t\u003cli\u003eDurable, all-metal cine-style housing with geared focus and aperture rings for use in follow-focus systems\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":44574307582229,"sku":"100CINEFXEF","price":3950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1589296516_img_1356515_1.jpg?v=1758115621"},{"product_id":"tokina-50mm-t1-5-cinema-vista-prime-lens-e-mount-focus-scale-in-feet","title":"Tokina 50mm T1.5 Cinema Vista Prime Lens (E-Mount, Focus Scale In Feet)","description":"\u003cp\u003eThe \u003cstrong\u003eTokina 50mm T1.5 Cinema Vista Prime Lens\u003c\/strong\u003e with an E-mount and with focus scales marked in feet, provides an image circle that more than covers It provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is a 50mm focal length, and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 9-bladed iris provides round out of focus highlights for a natural looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimise focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an E-mount and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eThe 50mm T1.5 E-mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/li\u003e\r\n\t\u003cli\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/li\u003e\r\n\t\u003cli\u003eDesigned to minimise variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens features threading on the front of the lens to accommodate 112 mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":44574308434197,"sku":"KPC-3002E","price":5995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1493725043_1318331_1.jpg?v=1680163513"},{"product_id":"tokina-50mm-t1-5-cinema-vista-prime-lens-ef-mount-focus-scale-in-feet","title":"Tokina 50mm T1.5 Cinema Vista Prime Lens (EF Mount, Focus Scale In Feet)","description":"\u003cp\u003eThe \u003cstrong\u003eTokina 50mm T1.5 Cinema Vista Prime Lens\u003c\/strong\u003e with an EF mount and with focus scales marked in feet, provides an image circle that more than covers It provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is a 50mm focal length, and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 9-bladed iris provides round out of focus highlights for a natural looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimise focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an EF mount and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eThe 50mm T1.5 EF mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/li\u003e\r\n\t\u003cli\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/li\u003e\r\n\t\u003cli\u003eDesigned to minimise variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens features threading on the front of the lens to accommodate 112 mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":44574311874837,"sku":"KPC-3002EF","price":5995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1493725043_1318330_1.jpg?v=1680163533"},{"product_id":"tokina-85mm-t1-5-cinema-vista-prime-lens-e-mount-focus-scale-in-feet","title":"Tokina 85mm T1.5 Cinema Vista Prime Lens (E-Mount, Focus Scale In Feet)","description":"\u003cp\u003eThe \u003cstrong\u003eTokina 85mm T1.5 Cinema Vista Prime Lens\u003c\/strong\u003e with an E-mount and with focus scales marked in feet provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This 85mm focal length lens shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 9-bladed iris provides round, out of focus highlights for a natural-looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimise focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an E-mount, and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eThe 85mm T1.5 E-mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/li\u003e\r\n\t\u003cli\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The Iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/li\u003e\r\n\t\u003cli\u003eDesigned to minimise variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/li\u003e\r\n\t\u003cli\u003eThe lens features threading on the front of the lens to accommodate 112mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":44574314397973,"sku":"KPC-3003E","price":7899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1493725043_1318334_1.jpg?v=1680163550"},{"product_id":"tokina-85mm-t1-5-cinema-vista-prime-lens-ef-mount-focus-scale-in-feet","title":"Tokina 85mm T1.5 Cinema Vista Prime Lens (EF Mount, Focus Scale In Feet)","description":"\u003cp\u003eThe \u003cstrong\u003eTokina 85mm T1.5 Cinema Vista Prime Lens\u003c\/strong\u003e with an EF mount and with focus scales marked in feet provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This 85mm focal length lens shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 9-bladed iris provides round, out of focus highlights for a natural-looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimise focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. 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When shooting on busy sets, this unity reduces the need for time-intensive post-grading ensuring consistency across shots no matter what lens is used. All seven Surmire prime lenses adopt the 0.8 pitch lens gears for both iris and focus rings and are positioned consistently on the lens. In addition to this, the lenses have the same front diameter, eliminating the need to adjust rigging accessories when replacing lenses. All lenses also have carefully developed focus resistance-enabling delicate and fine focus adjustments which can be made over a 300-degree rotation angle. Cinematographers can rely on dependable framing when composing shots as the lenses control focus breathing, combating the perspective variation that sometimes arises when refocusing to another subject.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":44578901688597,"sku":"CN5013FPX","price":11629.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1554281439_1470894.jpg?v=1680227473"},{"product_id":"canon-cn-e85mm-t1-3-fp-x-lens-pl-mount","title":"Canon CN-E 85mm T1.3 FP X Lens (PL Mount)","description":"\u003cp\u003e\u003cb\u003eCanon CN-E85mm T1.3 FP X PL Mount Lens\u003c\/b\u003e offer spectacular optical performance for demanding high-end productions. Sumire, pronounced “Soo-mee-ray,” is the name of a Japanese flower, and like the petals of a flower, our lenses are most beautiful when fully opened. This is the inspiration behind the Sumire look.\u003c\/p\u003e\u003cp\u003eLeveraging Canon’s heritage of optical excellence, the Surmire prime lenses offer new imaging capabilities for those working in the cinema industry. Devoted to detail, they feature a large-diameter aspheric element and anomalous dispersion glass, offering a delicate, velvety nuance when the aperture approaches its maximum setting during shooting. This unique optical design results in solid and natural image rendering, bringing impressive image quality and warmer tones to cinema productions. Supporting an 11-blade iris, all the lenses feature precise manual control, providing cinematographers with richer levels of rounded bokeh for better impression of subjects and softer rays of light—perfect for creating intimate shots that direct the viewer’s attention to specific details.\u003c\/p\u003e\u003cp\u003eThanks to their large lens diameter, a brighter T-number is possible, making these lenses an ideal choice for filming in challenging low-light scenes—as well as capturing the scene with a distinctive shallow depth of field – where ambience and atmosphere is essential.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCarefully designed for reliability and consistency\u003c\/strong\u003e\u003cbr\u003eThe Sumire Prime series lenses inherit the same subtle, warm colour tone as Canon’s full Cinema lens range. Such compatibility makes it easier for cinematographers to interchange lenses on a production without affecting colour tone. When shooting on busy sets, this unity reduces the need for time-intensive post-grading ensuring consistency across shots—no matter what lens is used. All seven Surmire prime lenses adopt the 0.8 pitch lens gears for both iris and focus rings and are positioned consistently on the lens. In addition to this, the lenses have the same front diameteriii, eliminating the need to adjust rigging accessories when replacing lenses. All lenses also have carefully developed focus resistance—enabling delicate and fine focus adjustments which can be made over a 300-degree rotation angle. Cinematographers can rely on dependable framing when composing shots as the lenses control focus breathing, combating the perspective variation that sometimes arises when refocusing to another subject.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":44578902245653,"sku":"CN8513FPX","price":11629.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1554281439_1470895.jpg?v=1680227511"},{"product_id":"laowa-24mm-f-14-2x-macro-probe-lens-for-canon-ef-cine","title":"LAOWA 24mm f\/14 2X Macro Probe Lens for Canon EF","description":"\u003cp\u003eDescribed as \"weird but genius,\" the Canon EF-mount \u003cstrong\u003eLaowa 24mm f\/14 Probe Lens\u003c\/strong\u003e from \u003cstrong\u003eVenus Optics\u003c\/strong\u003e is a truly unique lens designed for close-up shooting. Distinguished by its long and slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5 feet minimum focusing distance and a close 0.8 inch minimum working distance. Even with such a close working distance the lens measures 1.3 feet long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, allowing for greater detail in the background with less subject isolation.\u003c\/p\u003e\u003cp\u003eThe optical design includes both extra-low dispersion and extra-refractive index elements, which help to suppress chromatic and spherical aberrations for a high degree of clarity, colour accuracy, and sharpness. Manual focus control permits focusing from 1.5 feet to infinity, and the front of the lens has a built-in LED ring light to aid in focusing at close distances. The slim 0.2 inch diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. Additionally, the front portion of the lens is waterproof and permits working with subjects just beneath the surface of the water or in dusty or trying environments.\u003c\/p\u003e\u003cp\u003eThis \"cine-mod\" version of the lens has been optimised for video use and features integrated gears on both the aperture and focus rings for doing iris and focus pulls using a follow focus.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUnique macro lens design offers a greater-than-life-sized 2:1 maximum magnification along with a minimum focusing distance of 1.5 feet and a working distance of just 0.8 inch.\u003c\/li\u003e\n\u003cli\u003eThe long tubular lens barrel contributes to producing a distinct bug-eye perspective and, despite the short working distance, the length of the lens barrel places the camera at a comfortable shooting distance.\u003c\/li\u003e\n\u003cli\u003eWide-angle 24mm focal length affords greater depth of field and more surrounding detail than traditional telephoto macro designs, which tend to isolate subject matter with shallow depth of field.\u003c\/li\u003e\n\u003cli\u003eOptical design includes two extra-low dispersion elements that control colour fringing and chromatic aberrations to produce greater clarity and colour accuracy. One extra refractive index element is also featured, which reduces spherical aberrations and distortion for improved sharpness and accurate rendering.\u003c\/li\u003e\n\u003cli\u003eSlim 0.8\" front diameter allows performing unique \"slide-in\" shots as well as affords a greater range of close-up, inconspicuous shooting opportunities. The smaller front diameter also makes it easier to illuminate close-up subjects from the front.\u003c\/li\u003e\n\u003cli\u003eThe front of the lens is waterproof, allowing you to comfortably work just under the water surface or in dusty environments.\u003c\/li\u003e\n\u003cli\u003eThe front of the lens has a built-in LED ring light which is powered via a micro-USB port on the barrel, providing some illumination on close-up subjects for easier focusing.\u003c\/li\u003e\n\u003cli\u003eDesigned for use as a close-up macro lens, the manual focus operation also lets you focus at infinity.\u003c\/li\u003e\n\u003cli\u003eThis \"cine-mod\" version of the lens has built-in focus and aperture gears to aid in doing focus and iris pulls.\u003c\/li\u003e\n\u003cli\u003eSeven-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/li\u003e \u003c\/ul\u003e ","brand":"LAOWA","offers":[{"title":"Default Title","offer_id":44579519529237,"sku":"VE2414CC","price":2679.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1544529917_1445643.jpg?v=1680242790"},{"product_id":"laowa-24mm-f-14-probe-lens-for-arri-pl-cine-mod-version","title":"LAOWA 24mm f\/14 Probe Lens for ARRI PL (Cine-Mod Version)","description":"\u003cp\u003eDescribed as \"weird but genius,\" the ARRI PL-mount \u003cstrong\u003eLaowa 24mm f\/14 Probe Lens \u003c\/strong\u003efrom \u003cstrong\u003eVenus Optics\u003c\/strong\u003e is a truly unique lens designed for close-up shooting. Distinguished by its long and slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5' minimum focusing distance and a close 0.8\" minimum working distance. Even with such a close working distance the lens measures 1.3' long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, allowing for greater detail in the background with less subject isolation.\u003c\/p\u003e\u003cp\u003eThe optical design includes both extra-low dispersion and extra-refractive index elements, which help to suppress chromatic and spherical aberrations for a high degree of clarity, colour accuracy, and sharpness. Manual focus control permits focusing from 1.5' to infinity, and the front of the lens has a built-in LED ring light to aid in focusing at close distances. The slim 0.2\" diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. Additionally, the front portion of the lens is waterproof and permits working with subjects just beneath the surface of the water or in dusty or trying environments.\u003c\/p\u003e\u003cp\u003eThis \"cine-mod\" version of the lens has been optimised for video use and features integrated gears on both the aperture and focus rings for doing iris and focus pulls using a follow focus.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUnique macro lens design offers a greater-than-life-sized 2:1 maximum magnification along with a minimum focusing distance of 1.5' and a working distance of just 0.8\".\u003c\/li\u003e\n\u003cli\u003eThe long tubular lens barrel contributes to producing a distinct bug-eye perspective and, despite the short working distance, the length of the lens barrel places the camera at a comfortable shooting distance.\u003c\/li\u003e\n\u003cli\u003eWide-angle 24mm focal length affords greater depth of field and more surrounding detail than traditional telephoto macro designs, which tend to isolate subject matter with shallow depth of field.\u003c\/li\u003e\n\u003cli\u003eOptical design includes two extra-low dispersion elements that control colour fringing and chromatic aberrations to produce greater clarity and colour accuracy. One extra refractive index element is also featured, which reduces spherical aberrations and distortion for improved sharpness and accurate rendering.\u003c\/li\u003e\n\u003cli\u003eSlim 0.8\" front diameter allows performing unique \"slide-in\" shots as well as affords a greater range of close-up, inconspicuous shooting opportunities. The smaller front diameter also makes it easier to illuminate close-up subjects from the front.\u003c\/li\u003e\n\u003cli\u003eThe front of the lens is waterproof, allowing you to comfortably work just under the water surface or in dusty environments.\u003c\/li\u003e\n\u003cli\u003eThe front of the lens has a built-in LED ring light which is powered via a micro-USB port on the barrel, providing some illumination on close-up subjects for easier focusing.\u003c\/li\u003e\n\u003cli\u003eDesigned for use as a close-up macro lens, the manual focus operation also lets you focus at infinity.\u003c\/li\u003e\n\u003cli\u003eThis \"cine-mod\" version of the lens has built-in focus and aperture gears to aid in doing focus and iris pulls.\u003c\/li\u003e\n\u003cli\u003eSeven-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/li\u003e \u003c\/ul\u003e ","brand":"LAOWA","offers":[{"title":"Default Title","offer_id":44579519693077,"sku":"VE2414PL","price":2679.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/ve2414pl.jpg?v=1680242814"},{"product_id":"canon-r14mm-t1-3-l-f-cine-lens","title":"Canon R14mm T1.3 L F Cine Lens","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExpanded functions with RF mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe RF mount enables the lens to be directly mounted to the EOS C70 and EOS R5 C without an adapter. The 12 pin connection promotes efficient communication unlocking benefits like distortion correction in movie mode.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOutstanding optical performance for 8K and 4K cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCanon's optical technologies have led to benefits such as consistent colour balance, expanded tonal range, reduced ghosting, flaring and focus breathing. This can help reduce the volume of post production colour adjustments and allows greater stability when framing shots.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDesigned for professional production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven with its bright maximum aperture, the prime lens is small and compact. When used with a Cinema EOS camera, it enables lightweight hand-held filming or shooting in tight indoor spaces, broadening expressive capabilities.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMount RF mount\u003cbr\u003eFocal Length 14mm\u003cbr\u003eMaximum Diameter Ratio (T-number) 1:3.1\u003cbr\u003eNumber of Iris Blades 11 blades\u003cbr\u003eAngle of View - Aspect Ratio 1.5:1 104.3° x 81.2°\u003cbr\u003eAngle of View - Aspect Ratio 1.78:1 82.6° x 52.5°\u003cbr\u003eMinimum Shooting Distance 0.2m\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.5:1 24.8 x 16.5cm\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.78:1 16.9 x 9.5cm\u003cbr\u003eFront Diameter 114mm\u003cbr\u003eImage Circle 43.3mm\u003cbr\u003eDimensions Approx. 118.4 x 118.4 x 118.0mm\u003cbr\u003eWeight Approx. 1.3kg\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47401120891157,"sku":"CN-R14MMT3.1LF","price":7299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/01_02_CNR14mm_Slant.jpg?v=1697447172"},{"product_id":"canon-r20mm-t1-5-l-f-cine-lens","title":"Canon R20mm T1.5 L F Cine Lens","description":"\u003cstrong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cstrong\u003eExpanded functions with RF mount\u003c\/strong\u003e\n\u003cp\u003eThe RF mount enables the lens to be directly mounted to the EOS C70 and EOS R5 C without an adapter. The 12 pin connection promotes efficient communication unlocking benefits like distortion correction in movie mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutstanding optical performance for 8K and 4K cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCanon's optical technologies have led to benefits such as consistent colour balance, expanded tonal range, reduced ghosting, flaring and focus breathing. This can help reduce the volume of post production colour adjustments and allows greater stability when framing shots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for professional production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEven with its bright maximum aperture, the prime lens is small and compact. 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The 12 pin connection promotes efficient communication unlocking benefits like distortion correction in movie mode.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOutstanding optical performance for 8K and 4K cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCanon's optical technologies have led to benefits such as consistent colour balance, expanded tonal range, reduced ghosting, flaring and focus breathing. This can help reduce the volume of post production colour adjustments and allows greater stability when framing shots.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDesigned for professional production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven with its bright maximum aperture, the prime lens is small and compact. 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The 12 pin connection promotes efficient communication unlocking benefits like distortion correction in movie mode.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOutstanding optical performance for 8K and 4K cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCanon's optical technologies have led to benefits such as consistent colour balance, expanded tonal range, reduced ghosting, flaring and focus breathing. This can help reduce the volume of post production colour adjustments and allows greater stability when framing shots.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDesigned for professional production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven with its bright maximum aperture, the prime lens is small and compact. When used with a Cinema EOS camera, it enables lightweight hand-held filming or shooting in tight indoor spaces, broadening expressive capabilities. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMount RF mount\u003cbr\u003eFocal Length 35mm\u003cbr\u003eMaximum Diameter Ratio (T-number) 1:1.5\u003cbr\u003eNumber of Iris Blades 11 blades\u003cbr\u003eAngle of View - Aspect Ratio 1.5:1 54.4° x 37.8°\u003cbr\u003eAngle of View - Aspect Ratio 1.78:1 38.7° x 22.3°\u003cbr\u003eMinimum Shooting Distance 0.3m\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.5:1 20.1 x 13.4cm\u003cbr\u003eShooting Range at Closest Approach - Aspect Ratio 1.78:1 13.7 x 7.7cm\u003cbr\u003eFront Diameter 114mm\u003cbr\u003eImage Circle 43.3mm\u003cbr\u003eDimensions Approx. 118.4 x 118.4 x 125.5mm\u003cbr\u003eWeight Approx. 1.3kg\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47448497848597,"sku":"CN-R35MMT1.5LF","price":6699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/04_02_CNR35mm_Slant.jpg?v=1697614931"},{"product_id":"canon-r50mm-t1-3-l-f-cine-lens","title":"Canon R50mm T1.3 L F Cine Lens","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eExpanded functions with RF mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe RF mount enables the lens to be directly mounted to the EOS C70 and EOS R5 C without an adapter. 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These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBuild Quality\u003cbr\u003eLightweight and compact\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003eDust-proof and splash-proof construction\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e100% metal body\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003eLuminous paint for enhanced visibility\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003eLaser engraving for enhanced durability\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eImage Quality\u003cbr\u003eInspecting each and every lens\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMinimization of flare and ghosting\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSharpness combined with outstanding bokeh effect\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eColor balance standardized across the lineup\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized color balance makes color correction a snap.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e6K-8K class resolution\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":49688808849685,"sku":"4450967","price":8149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/s20.png?v=1767932244"},{"product_id":"sigma-14mm-t2-cine-lens-pl-mount-i-technology","title":"Sigma 14mm T2 Cine Lens - PL Mount + i-Technology","description":"\u003cp\u003eThe image quality of a high-end prime lens. Full-frame compatibility—yet compact.\u003cbr\u003eIntroducing a complete lineup of fine lenses.\u003cbr\u003eThe lineup ranges from 14mm to 135mm, and covers T1.5 to T2. The lenses are compatible with full frame, and while being more compact, it can offer superior resolution than other high­-end prime sets do. With the seven prime lenses from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires. Offering the latest optical design for 8K shooting and more, the FF High Speed Prime Line takes digital cinema cameras to the next level of performance.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRevolutionary lenses for the era of high resolution digital cinematography\u003cbr\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography— now ready to take on every challenge in the world of cinematography.\u003cbr\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA lineup offering an astonishing combination of specifications and value— all thanks to our ultra-efficient vertically integrated production system.\u003cbr\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mold production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies make possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e100 percent retained \u0026amp; 100 percent new\u003cbr\u003e100% retained: ultra-high-performance optical system\u003cbr\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e100% new: mechanical structure\u003cbr\u003eWhile retaining the same superb optical system, SIGMA’s cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003cbr\u003eThis principle and SIGMA’s leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLineup\u003cbr\u003eWide focal length coverage\u003cbr\u003eThe lineup covers everything from wide angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003eCompatibility\u003cbr\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003eLenses for both S35 and full-frame\u003cbr\u003eThe High Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003eStrong high-speed lens lineup\u003cbr\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBuild Quality\u003cbr\u003eLightweight and compact\u003cbr\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003eDust-proof and splash-proof construction\u003cbr\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e100% metal body\u003cbr\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003eLuminous paint for enhanced visibility\u003cbr\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003eLaser engraving for enhanced durability\u003cbr\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eImage Quality\u003cbr\u003eInspecting each and every lens\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMinimization of flare and ghosting\u003cbr\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSharpness combined with outstanding bokeh effect\u003cbr\u003eTo fulfill the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eColor balance standardized across the lineup\u003cbr\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized color balance makes color correction a snap.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e6K-8K class resolution\u003cbr\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":49688808882453,"sku":"4450974","price":10179.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/4450974.tag.0.webp?v=1767932118"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/collections\/43CF967.tag.0_1024x1024_e8f992f8-d4f1-4a14-a735-455cb120e172.webp?v=1783435018","url":"https:\/\/www.cameraelectronic.live\/collections\/video-lenses.oembed","provider":"Camera Electronic","version":"1.0","type":"link"}