{"title":"Video -\u003e Cameras -\u003e Cine","description":"","products":[{"product_id":"sony-pxw-fs7m2-xdcam-super-35-camera-system-body-only","title":"Sony PXW-FS7M2 XDCAM Super 35 Camera System (Body Only)","description":"\u003cp\u003eExpanding on the original FS7, \u003cstrong\u003eSony's PXW-FS7M2 XDCAM Super 35 Camera System\u003c\/strong\u003e is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as \"Cinéma Vérité\"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.\u003c\/p\u003e\r\n\r\n\u003cp\u003eJust behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera can generate when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSensor\u003c\/strong\u003e\u003cbr\u003e\r\nThe 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide colour gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cstrong\u003eSignal Processing\u003c\/strong\u003e\u003cbr\u003e\r\nThe Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three colour grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with YCbCr colour subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied.\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cstrong\u003eLocking E-Mount\u003c\/strong\u003e\u003cbr\u003e\r\nThe PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIt accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cstrong\u003eElectronic Variable ND\u003c\/strong\u003e\u003cbr\u003e\r\nBehind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdditionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any colour shift as the strength of the ND changes.\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cstrong\u003eMagnesium Construction\u003c\/strong\u003e\u003cbr\u003e\r\nThe camera body is made from magnesium, which is lighter and stronger than aluminium. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cstrong\u003eSmartGrip\u003c\/strong\u003e\u003cbr\u003e\r\nThe camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start\/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment.\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cstrong\u003eRedesigned Viewfinder and Mic Holder Mount\u003c\/strong\u003e\u003cbr\u003e\r\nWith the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition, the viewfinder itself now rides on a square mounting rod that ensures level operation.\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cstrong\u003eInternal Recording\u003c\/strong\u003e\u003cbr\u003e\r\nThe PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cstrong\u003eMedia Card Slots\u003c\/strong\u003e\u003cbr\u003e\r\nThe camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier.\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cstrong\u003eGenlock and Timecode\u003c\/strong\u003e\u003cbr\u003e\r\nGenlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44574385111317,"sku":"PXWFS7M2","price":6499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1478681418_1295217_1.jpg?v=1680164972"},{"product_id":"canon-eos-c70-cinema-camera-rf-lens-mount","title":"Canon EOS C70 Cinema Camera - RF Mount","description":"\u003ch2\u003eCanon EOS C70 Cinema Camera (RF Lens Mount)\u003c\/h2\u003e\n\u003cp\u003eIncorporating key Cinema EOS video tools in a mirrorless- style body, the Canon EOS C70 Cinema Camera features a Super35 DGO (Dual Gain Output) sensor for capturing nuanced images with up to 16+ stops of high dynamic range. The innovative DGO system combines two separate gain readings for each photodiode on the sensor, emphasizing saturation in bright areas of your image and lowering noise in darker areas.\u003cbr\u003e\u003cbr\u003ePro video functions include unlimited video recording, a motorised ND filter wheel tucked into the shallower RF-mount flange depth, a BNC timecode input\/output connector, and built-in dual mini-XLR audio inputs. The Canon EOS C70 is also the first Cinema EOS camera with an RF mount that enables you to use Canon's line of fast, reliable RF lenses with advanced coatings and image stabilization.\u003c\/p\u003e\n\u003cp\u003eFurther pro video features include Dual Pixel CMOS AF autofocus control and up to 4K 120p or Super 16 2K crop 180 fps capture. This lightweight cine camera also incorporates a 3.5\" Direct Touch Control LCD panel for quick, easy setting changes, and both auto-ISO and auto-gain functions for on-the-go adjustments to changing light levels.\u003cbr\u003eThe Canon EOS C70 Cinema Camera fits into your C300 Mk III workflow as a B camera, as an upgrade for C200 or C100 users, or as an alternative for EOS R owners who are shooting an increasing amount of video. Its touchscreen LCD panel speeds your workflow by enabling you to turn functions on and off directly from the touchscreen; no need to spend time going into multiple menus via a combination of control buttons and jog wheels. Power the Canon EOS C70 using a BPA-60 or BPA-30 battery or the included AC power adapter.\u003cbr\u003e\u003cbr\u003eTo provide greater flexibility in lens choices, the EOS C70 camera is also compatible with the separately available EF-EOS R 0.71X EF to RF lens mount adapter. This adapter converts your full-frame lenses to Super35 format while also providing a handy aperture speed boost of around one stop. The EF adapter passes all the EF lens data through the RF mount, providing full Dual-Pixel Auto Focus and metadata information for select lenses. The Canon C70 is also the first Canon EOS cinema camera to feature the EOS iTR AF X autofocus function, which uses a head-tracking algorithm developed with deep-learning technology for improved distance measuring and tracking reliability.\u003cbr\u003e\u003cbr\u003eThis digital cine camera records up to DCI 4K resolution video to dual slots using widely available and more affordable SD cards. High frame rates can be recorded in 4K up to 120 fps and up to 180 fps in a 2K cropped Super16 mode. Canon's XF-AVC and Long GOP codecs are supported, providing up to 10-bit, 4:2:2 DCI 4K images with reduced storage requirements. To boost your post-production workflow, the flexible Canon C70 supports both proxy recording rates and simultaneous recording in different formats, including 4K\/HD and XF-AVC\/MP4 options.\u003c\/p\u003e\n\u003cp\u003eFor greater flexibility during post-production, this camera also offers Canon's Log 2 and Log 3 gamma modes, both of which provide an expanded dynamic range with excellent tonal reproduction for highlights and in low-light areas of your images. The EOS C70 also supports .cube 3D LUTs so you can get the most accurate colour reproduction on both the LCD and your external viewing monitors.\u003c\/p\u003e\n\u003cp\u003eThis cinema camera features one HDMI Type-A output, a BNC timecode input\/output, and a USB Type-C port for control or linking to an external Wi-Fi adapter for streaming. It supports up to 4-channel audio using dual mini-XLR ports, an internal stereo mic, and a 3.5mm mic input. The Canon C70 body comes with a detachable handle unit, a mic holder, a shoulder strap, one BPA-30 battery, a battery charger, an AC adapter with power cord, and a port cap.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExceptional Image Quality\u003cbr\u003e\u003cbr\u003eCanon Super35 Dual Gain Output (DGO) Sensor\u003c\/strong\u003e\u003cbr\u003eCanon's next-generation Super35 Dual Gain Output (DGO) Sensor offers a dynamic range of up to 16+ stops and includes Canon's exclusive Dual Pixel CMOS Autofocus technology. The DGO Sensor generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise, noise-prioritizing amplifier for darker areas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIG!C DV7 Image Processor\u003c\/strong\u003e\u003cbr\u003eCanon's DIG!C DV7 image processor takes the extensive raw information captured from the imaging sensor and processes it for output. The DiG!C engine is also the driving force behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCanon Log 2 and 3; PQ and HLG Recording\u003c\/strong\u003e\u003cbr\u003eThe Canon C70 supports both the full dynamic range Canon Log 2 and the more workflow-friendly Canon Log 3 gamma. Canon Log formats are designed to reproduce the entire tonal range of its CMOS image sensor. Turn to a log post-production workflow when you're seeking a higher dynamic range, improved highlights and shadow retention, and increased grading flexibility. Note that while Canon Log 2 offers the largest dynamic range and image detail, the most post-production flexibility, and the full dynamic range of the sensor, it typically will require more time spent in colour correction.\u003c\/p\u003e\n\u003cp\u003eFor users seeking most of the benefits of a log workflow but with reduced turnaround times, choose the Canon Log 3 alternative with only a slightly reduced dynamic range of 14 stops.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighly Adaptable Shooting Style\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRF Lens Mount\u003c\/strong\u003e\u003cbr\u003eA built-in RF lens mount lends the Canon EOS C70 compatibility with Canon's expanding line of high-performance RF-mount lenses. With a short flange distance, the RF mount helps to noticeably reduce the camera body's depth, resulting in a more compact design.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEF Lens Compatibility with Optional Adapter\u003c\/strong\u003e\u003cbr\u003eThe optional EF-EOS R 0.71X EF to RF lens adapter converts a full-frame lens to Super35 format while boosting the aperture speed by an average of one stop. The EF adapter passes EF lens data through the RF mount, providing full Dual-Pixel Autofocus and metadata information for select lenses.\u003c\/p\u003e\n\u003cp\u003eAdditional compatible adapters include the EF-EOS R Canon Mount, Canon Control Ring Mount, Drop-In Circular Polarizer Filter Mount, and Drop-In Variable ND Filter Mount adapters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect Touch Control\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 features Direct Touch Control, enabling you to quickly and easily access your favourite menu settings through the fully rotatable LCD screen. Simply touch the 3.5\" screen to start\/stop recording, set ISO\/Gain, color temperature, and iris, and to access other critical settings. Recording settings that are used to located in different menus can now be controlled with one hand, enabling on-the-spot changes even while operating the camera with one hand.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e9 x 16 Vertical Capture\u003c\/strong\u003e\u003cbr\u003eUse the 1\/4\"-20 tripod thread built into the grip to position the Canon C70 for vertical use when capturing images for digital signage or mobile device use. For easier viewing, the user interface can also be switched for vertical use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Design Features\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact Design\u003c\/strong\u003e\u003cbr\u003eThe compact EOS C70 features a lightweight design with a built-in ergonomic grip. This smallest of the EOS bodies has two top shoe mounts and comes with a detachable handle and a mic holder.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMini-XLR Audio Inputs\u003c\/strong\u003e\u003cbr\u003eTwo mini-XLR inputs with phantom power and manual control dials provide professional audio recording options for the Canon EOS C70.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-In ND Filters\u003c\/strong\u003e\u003cbr\u003eDesigned specifically for the EOS C70's short flange distance, a thin motorized ND filter unit enables users to quickly select up to 10 stops of neutral density - an especially handy feature for ENG shooters or when shooting in quickly changing lighting conditions.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTimecode Input\/Output\u003c\/strong\u003e\u003cbr\u003eA BNC connector on the front of the EOS C70 enables users to input and output timecode, making synching on multicamera shoots easier.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Pixel CMOS Autofocus with Touch AF and Face Detection\u003c\/strong\u003e\u003cbr\u003eAnother innovative EOS C70 feature is the Dual Pixel CMOS AF Technology, which uses each pixel on the CMOS sensor for both focus detection and image information, resulting in precision focusing and optimal image quality. The EOS C70 is also the first Cinema EOS camera to feature the EOS iTR AF X autofocus function featuring a head-detection algorithm developed using deep-learning technology. In Face Detection mode, this algorithm helps to improve distance measuring and tracking reliability, even when a subject turns their head to the side or back.\u003c\/p\u003e\n\u003cp\u003eThe EOS C70 also features the innovative Dual Pixel Focus Guide, which provides both front- and back-focus information to let users know where to set the focus during manual pulls.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEIS with Coordinated Control\u003c\/strong\u003e\u003cbr\u003eTo smooth out handheld shots, EOS C70 is the first Cinema EOS camera to offer enhanced image stabilization with coordinated control. When used with an RF-mount lens and the EOS C70's electronic IS, coordinated control optimizes hand-shake correction for even greater vibration reduction than that obtained with an EF-mount lens and electronic IS.\u003c\/p\u003e\n\u003cp\u003eWhen working in the 2K format, the EOS C70's Super16 Digital IS improves performance by using the peripheral area around the centre of the 4K sensor to stabilize the image.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuto ISO\/Gain Control\u003c\/strong\u003e\u003cbr\u003eIn another first for the Cinema EOS line, the EOS C70 can automatically adjust ISO and Gain Control using the DGO (dual gain output) to change gain smoothly, enabling users to concentrate on their framing instead of their aperture control when moving between locations with notable changes in light levels.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRC-V100 Support and LANC Compatible\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 body's remote LANC terminal enables remote control using the optional Canon RC-V100 unit. The RC-V100 provides full access to key functions like start\/stop, shutter\/gain adjustments, focus\/iris\/zoom settings, display settings, white balance, black gamma, and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAdvanced Workflow Optimization\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual SD Card Slots \/ Multiple Recording Options\u003c\/strong\u003e\u003cbr\u003eDual SD card slots on the EOS C70 enable simultaneous recording in different formats including 4K\/HD and XF-AVC\/MP4 options.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Frame Rate; 4K 120p and 2K Crop 180p\u003c\/strong\u003e\u003cbr\u003eWith its new chip design and DIG!C DV7 processor, the EOS C70 is capable of ultra-high frame rates. Capture video at frame rates up to 120 fps in 4K and up to 180 fps in the 2K crop mode. Dual Pixel AF is supported by the EOS C70 even at high frame rates, keeping your focus even when used on a gimbal or drone.\u003cbr\u003eNote: V90 SD cards are recommended for slow- and fast-motion recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCube LUT Support\u003c\/strong\u003e\u003cbr\u003eA Look File option enables users to import .cube-type 3D LUTs, improving the flexibility of the EOS C70 in professional workflows.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4K\/2K Long GOP Support\u003c\/strong\u003e\u003cbr\u003eThe EOS C70 supports the higher-compression Long GOP for longer recording times at rates up to 4K60p. The inter-frame Long GOP compression detects differences between frames by referring to preceding and subsequent frames.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":44574491246869,"sku":"C70","price":5999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/c70-1.jpg?v=1680168319"},{"product_id":"sony-fx6-full-frame-e-mount-cinema-camera-body-only","title":"Sony FX6 Full Frame E-Mount Cinema Camera (Body Only)","description":"\u003ch2\u003eSony FX6 Full Frame E-Mount Cinema Camera (Body Only)\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eExperience cinema with full-frame capabilities\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRealise beautiful 4K imagery with creative freedom made possible by a full frame sensor. Stunningly rich bokeh offers a truly cinematic look to every shot, with the impressive expanded ISO range up to 409,600*, the FX6 can capture footage in near total darkness for limitless shooting possibilities.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFast-Hybrid Autofocus freedom\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe wide-area AF utilises intelligent tracking and on-sensor phasedetection for tenacious subject tracking. 627 point focal phase-detection AF covers 89% of the image area delivering exceptional accuracy. Additionally the FX6 supports Real-time Eye AF and Face Detection even when shooting at 120p high frame rates in DCI-4K or 4K (QFH)\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOperability and professional connectivity\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eA wide range of professional interfaces are available including 12G-SDI and HDMI outputs, TC for multi-camera sync, and SuperSpeed USB 5Gbps to support fluid data workflows. Internal audio recording is available across four channels with intuitive controls located on the body of the camera, and dual XLR inputs on the Smart Handle. 5Ghz and 2.4ghz WiFi\u003cbr\u003e\nfrequencies enable a host of advanced wireless production features.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eRemarkable camera customisation\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDespite it’s amazingly light 0.89kg body, the magnesiumalloy FX6 is more than tough enough for the rigors of realworld shooting. Featuring the ergonomic Smart Grip and Smart Handle, these offer easy one-button adjustments for consistently used functions such as iris, zoom, record, and also a swath of assignable buttons and dials for ultimate customisation. Dual media slots support CFexpress Type A cards along with conventional SDXC UHS-I and UHS-II cards for convenient data management.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eColour Science inspired by VENICE\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eInspired by the VENICE cinema camera, the FX6 supports the colour profile S-Cinetone. This colour profile responds to a growing need for more expressive colour and tone depth \u003cbr\u003e\nwhen recording footage without the time consuming efforts of colour grading. The straight out-of-camera colour has been designed to portray natural skin tones with pleasant highlight\u003cbr\u003e\nroll off and rich details in shadows. For ultimate colour and tone range, S-Log3 offers 15+ stops dynamic range for detailed and rich footage to be worked with in post-production.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44575877562645,"sku":"ILME-FX6V","price":9499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/ilme-fx6v_5.png?v=1680187443"},{"product_id":"blackmagic-design-ursa-mini-pro-4-6k-g2-digital-cinema-camera","title":"Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera","description":"\u003cp\u003eUpping the electronics and recording capabilities of its Mini Pro predecessor, the \u003cstrong\u003eBlackmagic Design's URSA Mini Pro 4.6K G2 Digital Cinema Camera\u003c\/strong\u003e brings expanded control set and even more functionality. The G2 introduces an updated Super 35 4.6K sensor featuring 15 stops of dynamic range at 3200 ISO, high frame rate recording up to 300 fps, and additional recording functionality.\u003c\/p\u003e\u003cp\u003eFirst, the addition of external camera controls allows menus to be accessed to change exposure settings, activate slow\/fast motion, or engage focus assist or other functions. The exterior of the camera also gains a monochrome LCD panel which displays essential shooting data at a glance. Another welcome pro feature is the built-in ND (neutral density) filter wheel. The four-position wheel switches between two, four, and six stops of neutral density, plus a clear filter for no exposure reduction.\u003c\/p\u003e\u003cp\u003eBehind the display, two SD card slots beside the CFast 2.0 slots enable more affordable media to be used for less intensive recording formats. The G2 introduces a USB-C expansion port so you can record directly to external drives. The default electronic EF lens mount is user-interchangeable and adjustable to ensure proper flange focal distance.\u003c\/p\u003e\u003cp\u003eAt the heart of the camera is Blackmagic Design's acclaimed Super 35mm 4.6K sensor block, known for its ability to capture cinematic images with subtle gradients and large dynamic range rated at 15 stops. The G2 can now capture Blackmagic RAW footage in film and extended modes which makes it more versatile to meet your production needs. Probably the most impressive update with the G2 is the ability to capture 4.6K footage at 120 fps, 4K DCI at 150 fps, or even 1080p footage at 300 fps which is well suited for fast-action shooting.\u003c\/p\u003e\u003cp\u003eLike the URSA Mini, the URSA Mini Pro G2 can record high-resolution raw sensor data in Blackmagic RAW format onto CFast 2.0 or SD memory cards at up to 60 fps. The raw files preserve the full dynamic range and colour tonality output from the sensor, so you can have greater control over the look in post-production. However, data-heavy uncompressed raw files aren't always easy to deal with on set so in addition to uncompressed raw recording, the URSA Mini Pro provides compressed raw recording at 3:1 and 4:1 compression ratios to save space while retaining post-production flexibility.\u003c\/p\u003e\u003cp\u003eIf raw capture is not necessary for your production, the URSA Mini Pro G2 offers ready-to-edit industry standard Apple ProRes files in many different flavors within the 444 and 422 chroma subsampling variations depending on your workflow. The 4.6K, 4K, 3K, 2K, and HD recording resolutions can be captured as ProRes files either using the \"Film\" dynamic range for a flatter image for grading in post-production, or \"Video\" dynamic range for a finished look right out of the camera. ProRes can be recorded to either CFast 2.0 or UHS-II SD cards (SD cards top out at UHD 4K; please check the Blackmagic Design website for updated card compatibility and limitations).\u003c\/p\u003e\u003cp\u003eSince the form factor of the original URSA Mini has been adhered to, the ergonomic benefits have remained as well. With separately available accessories like the VCT shoulder pad, side handgrip, broadcast battery plate, and EVF, the camera can be kitted out for comfortable shooting over extended periods. For studio-style shooting, the same shoulder pad is compatible with 15mm LWS rods for mounting lens supports for long lenses, follow focuses, lens drive motors, matte boxes, and more.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNew G2 Model Features\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUpdated Super 35 4.6K image sensor\u003c\/li\u003e\n\u003cli\u003e4608 x 2592 with 15 stops of dynamic range at 3200 ISO\u003c\/li\u003e\n\u003cli\u003e4.6K images at up to 120 frames per second\u003c\/li\u003e\n\u003cli\u003eWindowed 4K DCI at up to 150 frames per second\u003c\/li\u003e\n\u003cli\u003eWindowed 1080 HD at 300 frames per second\u003c\/li\u003e\n\u003cli\u003eBlackmagic RAW images in both film and extended video modes\u003c\/li\u003e\n\u003cli\u003eRaw compression levels up to 12:1\u003c\/li\u003e\n\u003cli\u003eUSB-C expansion port for recording to external drives\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eBuilt-In ND Filters\u003c\/strong\u003e\u003cbr\u003eThe URSA Mini Pro G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The clear, 2-, 4-, and 6-stop filters have been specifically designed to match the colour science of the URSA Mini Pro G2 to maintain consistent image quality with minimal colour shift. The ND filters conveniently let you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. Additionally, the internal IR filters have been designed to filter both optical and infrared wavelengths evenly to eliminate IR contamination of the images that can be brought about by standard ND filter. A precision mechanism holds the filters and quickly moves them into place when the ND filter dial is turned. Furthermore, the current filter settings can be displayed as an ND number, stop reduction, or fraction on the LCD.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExternal Control Section\u003c\/strong\u003e\u003cbr\u003eUsing a design inspired by classic broadcast cameras, the URSA Mini Pro G2 features a wide array of tactile physical controls with direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember so you'll be able to adjust camera settings, apply ND filters, and change frame rates without having to look at the buttons, dive into on-screen menus, or take the camera off your shoulder.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUser-Interchangeable Lens Mounts\u003c\/strong\u003e\u003cbr\u003eBy default, the URSA Mini Pro G2 includes an interchangeable EF mount. If you want to use lenses with F (Nikon), PL, or B4 mounts, separately available interchangeable mounts can be purchased. Having an interchangeable lens mount allows the URSA Mini Pro G2 to be used in nearly any kind of workflow including documentary, ENG\/EFP, and cinema. For ENG lenses, a 12-pin Hirose connector will power the servo so all lens functionality can be utilised.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExternal LCD Status Display\u003c\/strong\u003e\u003cbr\u003eThe status display is a high-visibility black-and-white LCD screen designed to be easily seen even in bright light. The status display shows record timecode, locked timecode, and reference timecode along with the current shooting frame rate, shutter angle, aperture, white balance, ISO, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen's backlight can be turned on when you're shooting in dimly lit locations, and off when you're shooting outdoors and in bright light to increase contrast, making it easy to read under nearly any shooting condition.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAdvanced Image Processing\u003c\/strong\u003e\u003cbr\u003eThe URSA Mini Pro 4.6K G2 also uses Blackmagic Design Generation 4 Colour Science for superior imaging that results in extremely accurate skin tones and lifelike colours that rival those of cameras costing tens of thousands of dollars more. Blackmagic RAW images are encoded using a custom nonlinear 12-bit space designed to provide the maximum amount of colour data and dynamic range. With Blackmagic RAW, customers can choose compression levels up to 12:1 and still get professional-quality images that can be used for feature films, documentaries, and broadcast programming. These formats can be recorded onto CFast or SD cards, as well as direct to flash disks using the USB-C expansion port.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCFast 2.0 and SD Media Support\u003c\/strong\u003e\u003cbr\u003eTwo of each CFast 2.0 and SD slots are available for recording media. High-end workflows that require 4K or 4.6K raw recording and high frame rate shooting will take full advantage of the high-bandwidth CFast 2.0 cards. Raw HD and 4K ProRes material can be recorded onto convenient and relatively inexpensive SD cards compatible with the UHS-II standard. Since two of each slot are available, you can keep recording, regardless of format choice.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact Handheld Design\u003c\/strong\u003e\u003cbr\u003eSizing down the original URSA shape enables the URSA Mini Pro G2 to fit into feature film, indie film, TV, commercial, documentary, and music video workflows with crews of any size. Using the optional shoulder mount with built-in quick release plate, the URSA Mini Pro G2 can go from handheld to shoulder to tripod in a matter of seconds. Despite its size, the URSA Mini Pro G2 still fits essential controls and I\/O for professional workflows.\u003c\/p\u003e\u003cp\u003eThe body is made from magnesium alloys to keep the URSA Mini Pro G2 lightweight at just over five pounds. With the optional shoulder mount and optional side handgrip, the handgrip can be extended off the side of the camera to be used in a doc-style configuration.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4.6K Super 35 Sensor\u003c\/strong\u003e\u003cbr\u003eWith an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini Pro G2 can capture motion pictures that have greater-than 4K resolution with a filmlike 15 stops of dynamic range at a very high 3200 ISO. A wide exposure latitude allows for greater control in post, enabling highlight recovery while keeping the shadows clean from artifacting.\u003c\/p\u003e\u003cp\u003eThe URSA Mini Pro G2 can record the entire sensor at up to 60 fps to fit television or other workflows which require higher frame rates. Using a smaller portion of the sensor, the URSA Mini Pro G2 can also record slow-motion footage at up to 300 fps in 1080p resolution. When recording high frame rates, the URSA Mini Pro G2 will conform captured footage to the set standard frame rate, resulting in smooth footage that doesn't require post-processing before editing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTouchscreen Control\u003c\/strong\u003e\u003cbr\u003eIn addition to more traditional button-driven menus and the bevy of external controls, the URSA Mini Pro G2 features a fold-out 4 inch capacitive touchscreen LCD monitor. Using the easily navigable touchscreen menu, you can see and change all camera settings, view timecode, scopes, audio levels, and focus peaking, as well as add shot metadata with an onscreen keyboard.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProfessional Connections\u003c\/strong\u003e\u003cbr\u003eThe URSA Mini G2 features multiple connections such as 12G-SDI out, HD-SDI monitoring out, two LANC inputs, balanced XLR audio with phantom power, timecode in, and reference input. On the front right side of the camera, the 4-pin XLR DC and HD-SDI monitoring output are located in the perfect position for connecting to an optional viewfinder or on set monitor. The 12G-SDI output handles up to 2160p60 using a single BNC cable and switches to 6G-SDI or HD-SDI depending on the shooting format.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eQuality Sound Recording\u003c\/strong\u003e\u003cbr\u003eWith high-quality built-in microphones and professional audio recording features, you don't have to carry around extra sound equipment. You can use the built-in stereo microphone to record natural location sound or connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug shotgun mics or wireless lavalier mics for capturing more detail. You can quickly adjust levels using the physical knobs while monitoring the audio using the onscreen audio meters and headphones.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiple Power Options\u003c\/strong\u003e\u003cbr\u003eOn its own, the URSA Mini Pro G2 includes a 4-pin XLR industry standard power connector that works with 12 to 30V external power supplies. That means it's easy to use the camera with existing professional power supplies and batteries. The camera uses the same battery power connector and mounting points on the rear of the camera as used on the original URSA, so you can use the same range of battery plates from a wide range of manufacturers such as IDX, Frezzi, Anton Bauer, and more. You can also add the optional Blackmagic URSA V-Lock Battery Plate for using popular V-mount batteries.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDaVinci Resolve Software Included\u003c\/strong\u003e\u003cbr\u003eIncluded with the camera is a DaVinci Resolve USB dongle which contains a license to unlock the full feature set within the software. The full version of DaVinci Resolve is compatible with Mac and Windows, and can be used for editing, colour grading, media management, mastering, and delivery. DaVinci Resolve is designed to handle the 12-bit log raw images from URSA Mini Pro G2, so you can take advantage of URSA Mini Pro G2's image quality and wide dynamic range. DaVinci Resolve features advanced, multilayer timeline editing with powerful trimming tools, along with a fully professional suite of creative grading tools\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44578749251861,"sku":"CINEURSAMUPRO46KG2","price":9415.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/Blackmagic-URSA-Mini-Pro-4.6K-G2-Side-Angle-EF-Mount.webp?v=1753021396"},{"product_id":"blackmagic-design-ursa-mini-pro-12k-pl","title":"Blackmagic Design URSA Mini Pro 12K (PL)","description":"\u003cdiv class=\"page-title-wrapper product\"\u003e\r\n\u003ch2 class=\"page-title\"\u003e\u003cstrong\u003e\u003cspan class=\"base\" style=\"font-size: 16px;\" data-ui-id=\"page-title-wrapper\"\u003eBlackmagic Design URSA Mini Pro 12K (PL)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003eStep your cine-style video recording up to 12K with the URSA Mini Pro 12K Digital Cinema Camera from Blackmagic Design. This pro video camera uses a 12,288 x 6480 12K Super35 sensor, a new color science, and up to 14 stops of dynamic range to produce extraordinarily detailed images. The URSA Mini Pro 12K records up to 80MP per frame in Blackmagic Raw and offers flexible recording options that include dual CFAST card capture and high-speed USB Type-C output. Recording rates include up to 60 fps in 12K 17:9 full sensor, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16.\u003c\/p\u003e\r\n\u003cp\u003eThe front of the URSA Mini Pro 12K sports an interchangeable PL lens mount, enabling you to choose from an array of current and vintage pro cine lenses from multiple manufacturers. Canon EF and Nikon F mounts are available separately for shooters who have their own glass.\u003c\/p\u003e\r\n\u003cp\u003eThe new Super35 sensor at the heart of the URSA Mini Pro 12K has been optimized for capturing multiple resolutions and features equal amounts of red, green, and blue pixels. Shoot at 12K for smooth oversampling or use the URSA Mini Pro 4K's in-sensor scaling to capture 8K or 4K Raw at rates up to 120 fps without cropping or a change in your field of view. The massive 12K sensor can also be used to select shots in 8K or 4K, essentially providing a multicamera look by reframing from a single camera output.\u003c\/p\u003e\r\n\u003cp\u003eThe dual CFast or UHS-II SD card option splits the recording between two cards, enabling you to capture up to 12K or 8K raw even at higher frame rates. With Blackmagic Raw, the URSA Mini Pro 12K offers constant-quality compression rates, several constant bit-rate options for predictable file sizes. Blackmagic Raw provides outstanding resolution for compositing, keying, tracking, and more. Blackmagic Raw is also optimized to work with the URSA Mini Pro 12K's raw files, saving the need to also create proxies.\u003c\/p\u003e\r\n\u003cp\u003eBlackmagic's new Generation 5 Color Science offers a new film curve, enabling the URSA Mini Pro 12K to capture more natural skin tones and a better rendering of richly saturated colors in high-contrast scenes.\u003c\/p\u003e\r\n\u003cp\u003eEven with 12K providing almost 10 times the resolution of UHD 4K, this versatile pro cine camera offers a trio of recording options. Record to the integrated dual CFast or UHS-II SD card recorders, or use the SuperSpeed USB Type-C expansion port for recording to fast SATA and NVMe drives.\u003c\/p\u003e\r\n\u003cp\u003eAn evenly weighted, lightweight yet robust magnesium alloy design makes the URSA Mini Pro 12K perfect for either handheld work or tripod-based shots. Additional camera features include 12G-SDI input and output, a 4\" fold-out display, built-in ND filters, ergonomic controls, timecode and reference input, and 48V phantom power XLR audio. A digital slate function and lens metadata capture ease your URSA Mini Pro 12K workflow transition from capture to post. Camera setup 7.0 includes Blackmagic Raw stills capture and broadcast lens support.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44580386668821,"sku":"CINEURSAMUPRO12K","price":10109.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1594908697_1578059.jpg?v=1680263048"},{"product_id":"panasonic-lumix-bs1h-full-frame-box-style-live-cinema-camera","title":"Panasonic LUMIX BS1H Full-Frame Box-Style Live \u0026 Cinema Camera","description":"\u003cdiv class=\"page-title-wrapper product\"\u003e\r\n\u003ch2 class=\"page-title\"\u003e\u003cstrong\u003e\u003cspan class=\"base\" style=\"font-size: 16px;\" data-ui-id=\"page-title-wrapper\"\u003ePanasonic LUMIX BS1H Full-Frame Box-Style Live \u0026amp; Cinema Camera\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003eCompact and suitable for cine drones, remote setups, and expandable for cine work as well as multi-camera broadcast work, the Panasonic Lumix BS1H Full-Frame Box-Style Live \u0026amp; Cinema Camera is a modular \u003ca title=\"Cinema Cameras\" href=\"https:\/\/www.cameraelectronic.live\/video-audio\/video-audio-cameras\/cinema-cameras\"\u003edigital cinema camera\u003c\/a\u003e with a small form-factor that bellies its full-frame sensor. It features a 24.2MP sensor, a Leica L lens mount, and a wide 14+-stop dynamic range to accommodate extreme lighting changes when recording in V-Log. It records video with resolutions up to 5.9K as well as C4K (4096 x 2160) and UHD4K, and it incorporates VariCam Look workflows.\u003c\/p\u003e\r\n\u003cp\u003eThe camera features dual-native ISO using its Venus Engine, anamorphic support, advanced AF (autofocus), numerous remote and power options, and supports HLG (Hybrid Log-Gamma) color for vivid imagery to aid professional color grading. There are many features packed into this tiny camera that make it the go-to production camera in any mobile and multi-camera production environment.\u003c\/p\u003e\r\n\u003cp\u003eThe BS1H provides multiple ways to record your footage to high data rate files in the ALL-Intra LongGOP, MOV, and MP4 recording formats with H.264 and H.265\/HEVC codecs. The camera supports unlimited recording time and allows you to record 10-bit 4:2:2 video using the camera's dual SD card slots. It can output up to 4K via the HDMI 2.0 output, or you can output up to 1080p resolution via SDI. The camera allows you to output via HDMI and SDI simultaneously, so you can use one signal for monitoring and the other for recording. It also supports recording at variable frame rates for high-quality, slow-motion video. Custom 3D LUTs can be uploaded into the camera, using the SD card slots.\u003c\/p\u003e\r\n\u003cp\u003eThe BS1H is also an ideal camera for multi-camera environments, not only because it's highly mobile, but it includes timecode and genlock BNC ports, so you can sync it with other cameras to make syncing in postproduction easy. Its RJ45 Gigabit LAN port allows you to sync with other networked BS1H cameras, manage the camera settings and functions, and even perform direct IP streaming with a future firmware update. Wi-Fi and Bluetooth functionality are also integrated for monitoring, configuration, and control via a smartphone or tablet, using the LUMIX Sync app. Another function integrated into the BS1H is a USB 3.1 Gen 1 Type-C input to control the camera with the LUMIX Tether app, which allows you to capture still images and control up to 12 BS1H cameras. Audio features include high-grade 48 kHz\/24-bit LPCM format, an integrated stereo microphone, a 3.5mm mic\/line-level input, and a 3.5mm headphone output. The optional DMW-XLR1 XLR adapter can be utilized, using the camera's integrated hot shoe, allowing you to record with professional microphones.\u003c\/p\u003e\r\n\u003cp\u003eIts compact body measures less than 4\" square and weighs only 1.3 lb, so it can be used on gimbals or drones for high-quality, stabilized footage. Its internal fan keeps the camera cool during long shoots, and its aluminum and magnesium housing provides protection and adds to the cooling factor. It also features 9 x accessory mounting threads for mounting onto a plate, cage, or tripod mount. There are four user-programmable function buttons around the housing as well as tally lights on the front and rear. You can power the BS1H using the included power adapter, with a separately available high-capacity VBR-type battery using its integrated mount, or by using PoE+ (Power-over-Ethernet) via the LAN port with compatible PoE equipment.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSensor and Processing Engine\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e24.2 MP sensor with low-pass filter\u003c\/li\u003e\r\n\u003cli\u003eDual native ISO 100-51200 and 50 to 204,800\u003c\/li\u003e\r\n\u003cli\u003e10-bit C4K\/4K 59.94\/50 video (35mm)\u003c\/li\u003e\r\n\u003cli\u003e4:2:2 10-bit internal recording\u003c\/li\u003e\r\n\u003cli\u003eVFR C4K\/4K, 2 to 60 fps, FHD 2-180 fps\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eV-Log\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e14+ stops of dynamic range with V-Log and V-Gamut\u003c\/li\u003e\r\n\u003cli\u003eCompatible with the \"Cinema VariCam Look\"\u003c\/li\u003e\r\n\u003cli\u003eSupports LUT files\u003c\/li\u003e\r\n\u003cli\u003eLUT-applied images viewable on SDI and HDMI outputs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eResolution\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSupports 6K, 5.9K, 5.4K, C4K, and 4K in full-frame mode\u003c\/li\u003e\r\n\u003cli\u003eSupports C4K, 4K, Anamorphic 4K (4:3 aspect ratio), and FHD in S35mm mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eRecording and Output\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe camera records internally at 4:2:2 10-Bit\/8-bit as well as 4:2:0 10-bit\/8-bit to dual UHS II SD card slots that support cards with speed ratings up to V90\u003c\/li\u003e\r\n\u003cli\u003eThe camera outputs Blackmagic RAW or ProRes RAW via the HDMI port for external monitoring and\/or recording\u003c\/li\u003e\r\n\u003cli\u003eYou can simultaneously output RAW over HDMI and video over SDI\u003c\/li\u003e\r\n\u003cli\u003eYou can record internally, while simultaneously output FHD over SDI and up to 4K over HDMI\u003c\/li\u003e\r\n\u003cli\u003eUsing the LUMIX Tether app version 1.1 or higher or LUMIX sync, you can record internally, output over both HDMI and SDI, and output via wired LAN or Wi-Fi\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eEthernet Compatible\u003cbr\u003e\u003c\/strong\u003eThe camera features an Ethernet port that allows you to remotely control up to 12 x BS1H cameras. You can power the camera via PoE+ protocol over a network that supports PoE+, and you can also stream directly from the camera using the RTP\/TRSP protocols. The camera supports streaming UHD 4K and FHD as well as 1280 x 720p.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSupports Genlock and Timecode\u003c\/strong\u003e\u003cbr\u003eThe BS1H supports Genlock as well as Timecode in\/out, providing synchronization of cameras for live sports or later postproduction.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBluetooth and Wi-Fi\u003c\/strong\u003e\u003cbr\u003eThe camera supports both Bluetooth and Wi-Fi.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFunctions\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFrame Indicator (red outline surrounds frame indicating the camera is recording)\u003c\/li\u003e\r\n\u003cli\u003eFrame Marker\u003c\/li\u003e\r\n\u003cli\u003eVertical Position Information\u003c\/li\u003e\r\n\u003cli\u003eStreaming Blue Frame Indicator\u003c\/li\u003e\r\n\u003cli\u003eAspect Ratio masks\u003c\/li\u003e\r\n\u003cli\u003eFace\/Eye recognition for focus tracking\u003c\/li\u003e\r\n\u003cli\u003eLow Light AF supports images with exposure levels down to -6EV\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":44580582949141,"sku":"DC-BS1HGC","price":4799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/bs1h_front.jpg?v=1753021646"},{"product_id":"dji-ronin-4d-4-axis-cinema-camera-6k-combo-kit","title":"DJI Ronin 4D 4-Axis Cinema Camera 6K Combo Kit","description":"\u003cdiv class=\"page-title-wrapper product\"\u003e\r\n\u003ch2 class=\"page-title\"\u003e\u003cstrong\u003e\u003cspan class=\"base\" style=\"font-size: 16px;\" data-ui-id=\"page-title-wrapper\"\u003eDJI Ronin 4D 4-Axis Cinema Camera 6K Combo Kit\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003eDesigned for both solo use by independent creators and dynamic pro video capture, the Ronin 4D from DJI is an innovative all-in-one camera\/gimbal solution. The \"4D\" designation refers to the Z-axis (vertical) stabilization built into the X9-6K camera and the three-axis gimbal stabilization. Constructed from lightweight carbon fiber and an aluminum\/magnesium alloy, this system is ideal for independent content creators, indie filmmakers, and event videographers. The full-frame capture at rates up to 6K60 in both ProRes HQ and ProRes Raw and Ronin's CineCore 3.0 image processing system with ACES workflow support also suits the 4D as a \"B\" or 2nd unit camera for larger cine-style productions.\u003c\/p\u003e\r\n\u003cp\u003eThis combo includes the main Zenmuse X9-6K full-frame \u003ca title=\"Cinema Cameras\" href=\"https:\/\/www.cameraelectronic.live\/video-audio\/video-audio-cameras\/cinema-cameras\"\u003evideo camera\u003c\/a\u003e and a 3-axis gimbal, plus an array of modular monitor, focusing, and control components. Kit items include a DL lens mount, a LiDAR range finder, one ProSSD 1TB drive, one TB50 battery, a charging hub, and left and right control handgrips.\u003c\/p\u003e\r\n\u003cp\u003eNote: A wireless video transmitter is not included in this combo kit.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAll-in-One Camera Gimbal System\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThis innovative camera gimbal combines imaging, stabilization, and focusing in one lightweight, carbon fiber and aluminum\/magnesium alloy rig\u003c\/li\u003e\r\n\u003cli\u003eCombination design reduces your setup time at the start of the day and in between setups and locations\u003c\/li\u003e\r\n\u003cli\u003eIncluded modular components:\u003cbr\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLeft and right control handgrips\u003c\/li\u003e\r\n\u003cli\u003eProSSD 1TB media drive\u003c\/li\u003e\r\n\u003cli\u003eLiDAR range finder\u003c\/li\u003e\r\n\u003cli\u003eTop handle\u003c\/li\u003e\r\n\u003cli\u003eBaseplate\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eSeparately available components:\u003cbr\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e7\" high-bright, touchscreen monitor\u003c\/li\u003e\r\n\u003cli\u003eWireless video transmitter\u003c\/li\u003e\r\n\u003cli\u003eX9 focus motor\u003c\/li\u003e\r\n\u003cli\u003eLeica M lens mount\u003c\/li\u003e\r\n\u003cli\u003e3-channel FIZ lens control unit\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eCineCore 3.0 Imaging Processing System\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe Zenmuse X9, DJI's full-frame camera, uses a proprietary chip for advanced processing and high-performance computing\u003c\/li\u003e\r\n\u003cli\u003eThe Ronin 4D uses the CineCore 3.0 system to support internal recording of Apple ProRes Raw, ProRes 422 HQ, and H.264 video\u003c\/li\u003e\r\n\u003cli\u003eIndustry-standard ACES workflow support provide easy compatibility with other cinema cameras\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eAdvanced 4-Axis Stabilisation\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSelectable Z-axis stabilization reduces unwanted vertical camera movement, especially during dollying moves\u003c\/li\u003e\r\n\u003cli\u003eZ-axis stabilization built into the camera, 3-axis stabilization in the gimbal\u003c\/li\u003e\r\n\u003cli\u003eTilt stabilization uses dual, symmetrical motors\u003c\/li\u003e\r\n\u003cli\u003ePan and X (roll) axes with additional stiffness buffering\u003c\/li\u003e\r\n\u003cli\u003eDownward ToF (time of flight) sensor\u003c\/li\u003e\r\n\u003cli\u003eForward and downward-facing dual-vision sensors\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in IMU (inertial measurement unit) and barometer\u003c\/li\u003e\r\n\u003cli\u003eNew and improved stabilization algorithm\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eZenmuse X9-6K Camera with DL Lens Mount\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe D4's DL lens mount supports DJI's current selection of lightweight, carbon fiber 16, 24, 35, and 50mm lenses\u003c\/li\u003e\r\n\u003cli\u003eFull-frame capture with all but the 16mm DL lens\u003c\/li\u003e\r\n\u003cli\u003eInterchangeable lens mounts available for use with Sony E-mount or Leica M-mount lenses\u003c\/li\u003e\r\n\u003cli\u003eSupports ultra-wide, f\/0.95 large-aperture, electronic zoom, macro, and anamorphic cine lenses\u003c\/li\u003e\r\n\u003cli\u003ePlease see the current lens compatibility list here\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eProRes Raw, 422 HQ, and H.264 Capture\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCaptures 6K raw at rates up to 60 fps in full-frame 2.39:1\u003c\/li\u003e\r\n\u003cli\u003eCaptures up to 4K raw at rates up to 120 fps in Super 35 2.39:1\u003c\/li\u003e\r\n\u003cli\u003eCaptures up to 4K raw at rates up to 96 fps in Super 35 17:9\u003c\/li\u003e\r\n\u003cli\u003eCapture up to 6K60 ProRes 422 HQ video in full-frame 2.39:1\u003c\/li\u003e\r\n\u003cli\u003eCapture up to 4K120 ProRes 422 HQ video in Super 35 2.39:1\u003c\/li\u003e\r\n\u003cli\u003eCapture up to 2K120 ProRes 422 HQ or H.264 in 17:9 full-frame\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eDual Native ISO\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e800\/5000 dual native ISO\u003c\/li\u003e\r\n\u003cli\u003eEI 200 to 12800\u003c\/li\u003e\r\n\u003cli\u003e14+ stops of dynamic range produce nuanced imaging under a range of lighting conditions\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eIn-Camera ND Filters\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBuilt-in ND.03 to ND2.7 filters let you easily adjust to quickly changing lighting conditions\u003c\/li\u003e\r\n\u003cli\u003eEspecially handy for outdoor shoots with changing cloud cover\u003c\/li\u003e\r\n\u003cli\u003eMotorized filter system\u003cbr\u003eCarry in \"built\" mode for easy company moves\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eLiDAR Focus Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLiDAR (light detection and ranging) system uses up to 43,200 ranging points within a 33' range\u003c\/li\u003e\r\n\u003cli\u003eExcellent focusing performance even in low-light environments\u003c\/li\u003e\r\n\u003cli\u003eFocus pulling can be viewed graphically, thanks to a built-in depth meter\u003c\/li\u003e\r\n\u003cli\u003eIntuitive and highly accurate focusing system\u003c\/li\u003e\r\n\u003cli\u003eModular LiDAR focusing module attached to the front of the D4 rig\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eAutofocus Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMaintains focus, even when motion blur is produced by fast-moving subjects\u003c\/li\u003e\r\n\u003cli\u003eSeparately available focus motor for use with manual lenses\u003c\/li\u003e\r\n\u003cli\u003eContinuous autofocus is compatible with ActiveTrack Pro, a boon for solo operators\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eAutomated Manual Focus\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe AMF function (Automated Manual Focus) combines the accuracy of manual focus with the ease of autofocus\u003c\/li\u003e\r\n\u003cli\u003eOperators can grab the focus wheel of the right handgrip at any time to manually focus\u003c\/li\u003e\r\n\u003cli\u003eHandgrip focus wheel uses dynamic damping to provide a physical feel for focus changes\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eActiveTrack Pro\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDJI's ActiveTrack Pro features combine continuous autofocusing with composition adjustment for professional-looking tracking shots out of the gate\u003c\/li\u003e\r\n\u003cli\u003eActiveTrack Pro is based on computer vision, deep learning technology, and the computing power of DJI's CineCore 3.0 imaging system\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eDual Focus, Iris, and Control Grips\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRight-hand grip has a focus wheel that doubles as a control for main camera adjustments (menus, exposure, etc.)\u003c\/li\u003e\r\n\u003cli\u003eLeft-hand grip has a full-range joystick to control pan\/tilt; useful when adjusting headroom and more during follow mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eSingle User or Crew-Assisted Operation\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTop-notch stabilization in a lightweight form\u003c\/li\u003e\r\n\u003cli\u003eIdeal for both solo operators as well as assistant-accompanied shoots\u003c\/li\u003e\r\n\u003cli\u003eDesigned to counter footsteps from inexperienced gimbal shooters\u003c\/li\u003e\r\n\u003cli\u003eWorks equally well with a single grip, dual grips, shoulder supported, or tripod-mounted\u003c\/li\u003e\r\n\u003cli\u003eSport mode is available with the touch of a button, accommodating faster-paced action\u003c\/li\u003e\r\n\u003cli\u003eUse in standard, underslung, jib, and crane setups\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eMedia Storage Options\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRequires a ProSSD 1TB drive (included) to capture raw footage\u003c\/li\u003e\r\n\u003cli\u003eUSB Type-C port for external recording, no reader needed to offload footage\u003c\/li\u003e\r\n\u003cli\u003eIntegrated CFexpress Type-B card slot\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eBuilt-In 5.5\" Touchscreen Monitor\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e5.5\" 1920 x 1080 monitor\u003c\/li\u003e\r\n\u003cli\u003e1000 cd\/m² display\u003c\/li\u003e\r\n\u003cli\u003eTouchscreen control\u003c\/li\u003e\r\n\u003cli\u003eRotates for optimal viewing\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eAudio Recording\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIntegrated stereo microphones capture dual-channel 24-bit audio\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in 3.5mm audio input port and XLR port via expander plate\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003ePower Options\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUses the same TB50 intelligent batteries as the Ronin 2 and Inspire 2\u003c\/li\u003e\r\n\u003cli\u003eEach battery provides up to 2.5 hours of capture time\u003c\/li\u003e\r\n\u003cli\u003eBatteries charge fully in approximately 1.5 hours\u003c\/li\u003e\r\n\u003cli\u003eSupport auto-heating for cold weather use\u003c\/li\u003e\r\n\u003cli\u003eAC adapter for uninterrupted shooting\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":44580626235669,"sku":"CP.RN.00000176.01","price":7599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/products\/1634726129_1667439.jpg?v=1680270598"},{"product_id":"sony-pxw-fx9-xdcam-6k-full-frame-camera-system-body-only","title":"Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only)","description":"\u003cdiv class=\"page-title-wrapper product\"\u003e\r\n\u003ch2 class=\"page-title\"\u003e\u003cstrong\u003e\u003cspan class=\"base\" style=\"font-size: 16px;\" data-ui-id=\"page-title-wrapper\"\u003eSony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003eWhether you're shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9 XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.\u003c\/p\u003e\r\n\u003cp\u003eThe PXW-FX9 input and output features include 12G\/6G-SDI and HDMI outputs for 4K video, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.\u003c\/p\u003e\r\n\u003cp\u003eThe camera features a 15-stop dynamic range, supports dynamic HDR, hybrid log gamma mode (HLG), and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. Its 7-stop electronic variable ND filter can perform in auto or manual mode, smoothly adjusting from 1\/4 to 1\/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera.\u003c\/p\u003e\r\n\u003cp\u003eIn addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800\/4000 with a maximum ISO up to 102,400, which is helpful when in low-light situations or using a slower lens. Other improvements with the latest firmware include improved white balancing in sunlight with a more natural look, user-created 3D LUTs, improved AF, audio improvements, USB tethering, T-value metadata, password enhancements, and an S35 2K imager scan mode.\u003c\/p\u003e\r\n\u003cp\u003eThe FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with two power cords, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9 is also compatible with the separately available XDCA-FX9 extension unit, which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFirmware Version 3.0\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe v3.0 firmware update offers:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eS700 protocol over Ethernet\u003c\/li\u003e\r\n\u003cli\u003eB4 lens support:\u003c\/li\u003e\r\n\u003cli\u003eS16 scanning mode (up to 1080p at rates up to 180 fps)\u003c\/li\u003e\r\n\u003cli\u003eB4 lens control using the LA-EB1 lens mount adapter\u003c\/li\u003e\r\n\u003cli\u003eALAC (Auto Lens Aberration Correction) function\u003c\/li\u003e\r\n\u003cli\u003eAssignable center scan\u003c\/li\u003e\r\n\u003cli\u003eAnamorphic lens support\u003c\/li\u003e\r\n\u003cli\u003eClip naming (Cam ID + Reel#)\u003c\/li\u003e\r\n\u003cli\u003eReal-time tracking (touch-tracking autofocus)\u003c\/li\u003e\r\n\u003cli\u003eAdditional items can be modified in the status screen\u003c\/li\u003e\r\n\u003cli\u003eSR Live for HDR metadata support\u003c\/li\u003e\r\n\u003cli\u003eRecording proxy clip real-time transfer\u003c\/li\u003e\r\n\u003cli\u003eCamcorder network setup using smartphone app\u003c\/li\u003e\r\n\u003cli\u003eRemote control using smartphone over USB tethering\u003c\/li\u003e\r\n\u003cli\u003eUSB tethering activated using iOS 14 iPhone and iPad\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eNote:\u003cbr\u003eThe network features above also support C3 Portal (only available in specific countries).\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e6K CMOS Exmor R Sensor\u003c\/strong\u003e\u003cbr\u003eThe PXW-FX9's oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e15 Stops of Dynamic Range\u003c\/strong\u003e\u003cbr\u003eThe FX9 offers an exceptional 15+ stops of dynamic range, allowing for creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using 4K 4:2:2 10-bit internal recording.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eISO Control\u003c\/strong\u003e\u003cbr\u003eThe FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality and whenever you're using slow lenses. The FX9's extended ISO range is 320 to 102,400.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eElectronic ND Filter\u003c\/strong\u003e\u003cbr\u003eSony's built-in electronic variable neutral density (ND) filter can be set to auto, or adjust filter density manually in smooth increments from 1\/4 to 1\/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for artistic effects.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRecording Formats\u003c\/strong\u003e\u003cbr\u003eDepending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10-bit quality at a higher 600 Mb\/s in 60p. XAVC-Long for longer recording time in smaller file size. The traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAdjustable Frame Rates\u003c\/strong\u003e\u003cbr\u003eChoose your desired frame rate from 1 up to 60 fps for quick- and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. It also offers a quality priority setting that maximizes Full HD slow-motion image quality with advanced oversampling technology.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eS-Cinetone Look\u003c\/strong\u003e\u003cbr\u003eS-Cinetone is the default look of FX9 that's tuned to meet the requirements of today's content creators with rich midrange colors, alluring facial tones, and a softer tonal look developed with the same expertise as Sony's world-leading VENICE digital \u003ca title=\"Cinema Camera\" href=\"https:\/\/www.cameraelectronic.live\/video-audio\/video-audio-cameras\/cinema-cameras\"\u003ecinematography camera\u003c\/a\u003e. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production, thanks to the high-performance full-frame image sensor.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFast Hybrid AF\u003c\/strong\u003e\u003cbr\u003eEffortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Enhanced Fast Hybrid AF combines phase-detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces. The dedicated 561-point phase-detection AF sensor covers approximately 94% of the whole image area width and 96% of the height, allowing for consistently accurate, responsive AF tracking, even with fast-moving subjects.\u003c\/p\u003e\r\n\u003cp\u003eSeven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.\u003c\/p\u003e\r\n\u003cp\u003eFive-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another—ideal for snapping between race cars as they speed by.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAdvanced Image Stabilization\u003c\/strong\u003e\u003cbr\u003eAdvanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse\/Catalyst Prepare software in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata generated by the FX9's built-in gyro allows you to creatively choose the balance between the level of shake compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e4-Channel Audio Recording\u003c\/strong\u003e\u003cbr\u003eThe FX9 offers audio capabilities with independent control dials for each channel. In applications such as an interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, and the built-in microphone for ambient sound and voice memos by the operator.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eInputs and Outputs\u003c\/strong\u003e\u003cbr\u003eThe FX9 is equipped with various outputs including a 12G-SDI and an HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multicamera operation, Genlock and TC In\/Out terminals are available.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRecording Modes\u003c\/strong\u003e\u003cbr\u003eThe FX9 has a selection of backup recording modes that will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. The 4K\/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9 Mb\/s small size proxy file which will be easily sent via the network. 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PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. Customers can easily mount it on a range of camera rigs such as cranes, gimbals or drones. In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend their ability to mount accessories such as handles, microphones or even SSDs. All this means customers can build the perfect camera for the any production that’s both rugged and reliable.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows customers to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether users are shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions.\u003c\/p\u003e\n\u003cp\u003eUsing the full area of the sensor gives customers a unique open gate 3:2 image which also lets customers reframe their shots in post production. The large sensor also lets customers work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible.\u003c\/p\u003e\n\u003cp\u003eWith 3 models, customers can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world. The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing customers to use a wide variety of new and vintage lenses. The EF model lets customers use high quality photographic lenses customers already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets customers work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. Customers can even shoot stills at 24.6 megapixels. Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates customers can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16.\u003c\/p\u003e\n\u003cp\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set. Its full HD resolution means customers can frame and focus their shots without needing to carry around a bulky external monitor. Customers can even use the display as a focus assist station.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at their fingertips with both touchscreen and physical controls. A row of 3 customizable function buttons means customers don’t have to go hunting through menus on a tiny screen to find a command. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/p\u003e\n\u003cp\u003eThe innovative side plates expand the riggability of their camera even further. The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing customers to add microphones, brackets or other accessories. Or customers can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. This means images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Plus, with dual CFexpress slots, customers can keep recording because customers can hot swap full cards without stopping.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so their media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots.\u003c\/p\u003e\n\u003cp\u003eWhen uploading to Blackmagic Cloud, customers can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Customers can also connect via wired Ethernet using the camera’s Ethernet port. This lets customers get their media out as customers shoot so post production teams anywhere in the world can start work in real time.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy. Customers get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means customers can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more. For internet access, customers have two options, one to connect via Ethernet or customers can connect a 4G or 5G phone for mobile data. As the streaming is built into the camera, customers can see the stream status and data rate in the viewfinder and the LCD.\u003c\/p\u003e\n\u003cp\u003e\"Since the introduction of the original Pocket Cinema Cameras, our customers have been asking us to make it in a more customizable design,\" said Grant Petty, Blackmagic Design CEO. \"But we wanted it to be so much more than just a Pocket Cinema Camera in a different body. The new Blackmagic PYXIS is a fully professional cinema camera with more connections and seamless integration into post production workflows. We think customers are going to love the incredibly adaptable design and we can’t wait to see how they use it!\"\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48587808669973,"sku":"CINECAMCPYXD60LFEF","price":3109.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/Blackmagic-PYXIS-6K-EF-Angle.jpg?v=1753021436"},{"product_id":"blackmagic-pyxis-6k-cine-camera-pl-mount-no-battery","title":"Blackmagic PYXIS 6K Cinema Box Camera - PL Mount","description":"\u003cp class=\"closergap\"\u003e\u003cstrong\u003eNote: DOES NOT INCLUDE BATTERY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"closergap\"\u003e\u003cstrong\u003eBlackmagic PYXIS 6K Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e36 x 24mm full frame 6K 6048 x 4032 sensor.\u003c\/li\u003e\n\u003cli\u003eOpen gate 3:2, full height 6:5 anamorphic and Super 35 for creating cinematic content.\u003c\/li\u003e\n\u003cli\u003eChoice of models with L-Mount, PL or locking EF lens mounts.\u003c\/li\u003e\n\u003cli\u003eRecords full resolution up to 36 fps or 120 fps windowed.\u003c\/li\u003e\n\u003cli\u003eBuilt-in 4″ HDR 1500 nit LCD screen.\u003c\/li\u003e\n\u003cli\u003eRecords Blackmagic RAW and H.264 proxies.\u003c\/li\u003e\n\u003cli\u003eExtremely fast dual CFexpress card recording.\u003c\/li\u003e\n\u003cli\u003eEthernet or mobile data for mobile remote streaming.\u003c\/li\u003e\n\u003cli\u003eOptional Blackmagic URSA Cine EVF.\u003c\/li\u003e\n\u003cli\u003eFeatures 12G-SDI for monitoring with status overlay.\u003c\/li\u003e\n\u003cli\u003eProfessional mini XLR input with 48 volt phantom power.\u003c\/li\u003e\n\u003cli\u003eComplete streaming solution for YouTube, Facebook, Twitter and more.\u003c\/li\u003e\n\u003cli\u003eHigh capacity BP-U series batteries.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera customers need it to be. PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. Customers can easily mount it on a range of camera rigs such as cranes, gimbals or drones. In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend their ability to mount accessories such as handles, microphones or even SSDs. All this means customers can build the perfect camera for the any production that’s both rugged and reliable.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows customers to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether users are shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions.\u003c\/p\u003e\n\u003cp\u003eUsing the full area of the sensor gives customers a unique open gate 3:2 image which also lets customers reframe their shots in post production. The large sensor also lets customers work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible.\u003c\/p\u003e\n\u003cp\u003eWith 3 models, customers can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world. The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing customers to use a wide variety of new and vintage lenses. The EF model lets customers use high quality photographic lenses customers already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets customers work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. Customers can even shoot stills at 24.6 megapixels. Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates customers can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16.\u003c\/p\u003e\n\u003cp\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set. Its full HD resolution means customers can frame and focus their shots without needing to carry around a bulky external monitor. Customers can even use the display as a focus assist station.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at their fingertips with both touchscreen and physical controls. A row of 3 customizable function buttons means customers don’t have to go hunting through menus on a tiny screen to find a command. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/p\u003e\n\u003cp\u003eThe innovative side plates expand the riggability of their camera even further. The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing customers to add microphones, brackets or other accessories. Or customers can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. This means images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Plus, with dual CFexpress slots, customers can keep recording because customers can hot swap full cards without stopping.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so their media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots.\u003c\/p\u003e\n\u003cp\u003eWhen uploading to Blackmagic Cloud, customers can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Customers can also connect via wired Ethernet using the camera’s Ethernet port. This lets customers get their media out as customers shoot so post production teams anywhere in the world can start work in real time.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy. Customers get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means customers can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set.\u003c\/p\u003e\n\u003cp\u003eBlackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more. For internet access, customers have two options, one to connect via Ethernet or customers can connect a 4G or 5G phone for mobile data. As the streaming is built into the camera, customers can see the stream status and data rate in the viewfinder and the LCD.\u003c\/p\u003e\n\u003cp\u003e\"Since the introduction of the original Pocket Cinema Cameras, our customers have been asking us to make it in a more customizable design,\" said Grant Petty, Blackmagic Design CEO. \"But we wanted it to be so much more than just a Pocket Cinema Camera in a different body. The new Blackmagic PYXIS is a fully professional cinema camera with more connections and seamless integration into post production workflows. 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Features include enhanced shadow detail and color and frame rates up to 80 fps in 6K and up to 120p in 4K.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cstrong\u003eCompact KOMODO Form\u003c\/strong\u003e\u003cbr\u003eThe KOMODO-X Z Mount camera melds select DSMC3 features with the notably ultracompact KOMODO form. The KOMODO-X Z Mount has a built-in plate that enables the direct use of Micro V-mount batteries and is compatible with the PRO I\/O Module for auxiliary power and full-size Gold and V-mount battery use. It also incorporates a full-size, 4-pin 11-17 VDC power input.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cstrong\u003eIntegrated LCD\u003c\/strong\u003e\u003cbr\u003eUsers can preview their images and apply simplified controls via the integrated 2.9\" LCD, an especially handy feature in tight setups. Pair the KOMODO-X Z Mount with the daylight-viewable, high-resolution DSMC3 7\" Touch LCD for more precise monitoring and full control in a cable-free, decluttered form.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cstrong\u003eLive Streaming and Expanded In\/Out\u003c\/strong\u003e\u003cbr\u003eThe KOMODO-X Z Mount's expanded interface includes:\u003c\/div\u003e\n\u003cul\u003e\n\u003cli class=\"js-injected-html text_UbV5SNP5Eo\"\u003e12G-SDI video output up to 4K60p.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"js-injected-html text_UbV5SNP5Eo\"\u003eA USB-C port with Ethernet offload capabilities.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBuilt-in Wi-Fi for IP live streaming for web applications and in-app monitoring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cstrong\u003eAdvanced Connectivity\u003c\/strong\u003e\u003cbr\u003eWith a USB-C interface and an integrated Wi-Fi function, the KOMODO-X Z Mount shines at streamlined IP workflows like Virtual Production and live broadcasting. Use it with the RED Control or Control Pro apps to avail yourself of not only remote camera control but FTP media off-loading and in-camera Cloud uploading.\u003cbr\u003eAdd a RED Connect license to broadcast up to 6K live images over IP directly from the camera.\u003cbr\u003eMulticamera and LED volume shooters will appreciate the KOMODO-X Z Mount's frame-accurate PTP or trilevel genlock syncing with on-the-fly offset ability.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cstrong\u003eCFexpress Type B\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe KOMODO-X Z Mount has a single media slot for use with a high-capacity, fast CFexpress type B card.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"js-injected-html text_UbV5SNP5Eo\"\u003eRecord up to 17 hours using a 4TB CFexpress type B card.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"js-injected-html text_UbV5SNP5Eo\"\u003eOffload data up to 3x faster than CFast media.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cstrong\u003eAudio Interface\u003c\/strong\u003e\u003cbr\u003eImproved audio options include a locking, phantom-powered 5-pin connector that can be used with a 3.5mm adapter and KOMODO microphones or with a dual XLR adapter and a wide array of microphones.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Red Digital","offers":[{"title":"Default Title","offer_id":48782244446485,"sku":"RED-710-0420","price":11995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1739402827_IMG_2429112.jpg?v=1753021766"},{"product_id":"sony-fr7-cinema-line-ptz-camera","title":"Sony FR7 Cinema Line PTZ Camera","description":"\u003cp\u003e\u003cspan\u003eCapture cinematic, full-frame footage in PTZ form for broadcast use, reality shows, houses of worship, and live events and sports with the black FR7 Cinema Line PTZ Camera from Sony. This versatile camera features the unique ability to use interchangeable Sony E-mount lenses and is currently compatible with up to 70 E-mount lenses ranging from 12 to 1200mm. The large image sensor provides 15+ stops of dynamic range, captures up to UHD 4K120 video, offers live streaming, supports S-Cinetone, Cine EI, and MLUT looks for matching select Sony cameras, and enables you to create shallow depth-of-field bokeh effects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eExpressive 4K Imaging\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eFull-Frame Sensor\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe FR7 combines a 4K full-frame sensor and compatibility with Sony E-mount lenses to produce outstandingly expressive, cinematic imagery\u003c\/li\u003e\n\u003cli\u003e15+ stops of dynamic range and a base ISO of 800 that is expandable from 12,800 to 409,600 for capturing optimal video in an array of lighting conditions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1831529.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSony E-Mount\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eCompatibility with up to 70 Sony E-mount lenses covers a range of 12 to 1200\u003c\/li\u003e\n\u003cli\u003eEnables you to capture the widest vistas and the closest details\u003c\/li\u003e\n\u003cli\u003eUse with G Master (GM) lenses to obtain impressive resolution and pleasing bokeh\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eImaging Functions\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eCapture rich detail and wide color using Sony S-Log3 and create nuanced contrast with Hybrid Log Gamma (HLG)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBuilt-In ND Filters\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eAn integrated, electronic ND filter offers variable ND filtration ranging from 1\/4 (2 stops) to 1\/128 (7 stops)\u003c\/li\u003e\n\u003cli\u003eUse the ND filter to compensate for changes in exposure without affecting your depth of field\u003c\/li\u003e\n\u003cli\u003eCreate shallow depth-of-field effects by adding the ND and opening the iris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1831528.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSDI Raw Output\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe FR7 can output raw video via the SDI (BNC) output to an external recording for color grading and other post-production tweaking\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eUHD 4K 120p Recording\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eRecord UHD 4K video at rates up to 120 fps for slow-motion effects\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRemote and Robotics Functions\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIP Control\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eUse the IP remote function to control your camera from a distance like a broadcast truck and\/or to control multiple cameras\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1831531.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSmooth Movement\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSlow, smooth pan and tilt movements enable you to unobtrusively zoom in on the action and reframe accordingly\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eVideo Output and Streaming\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eOutput video using the HDMI and up to 12G-SDI video outputs\u003c\/li\u003e\n\u003cli\u003eStream RTSP, SRT, or NDI|HX (requires NewTek license) using the LAN port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eControl Options\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe included IR remote can be used for pan, tilt, zoom (PTZ), focus, recording, playback, and other camera settings\u003c\/li\u003e\n\u003cli\u003eUse with the separately available RM-IP500 control panel with joystick zoom rocker, and buttons\u003c\/li\u003e\n\u003cli\u003eWeb app remote control can be accessed from a tablet or PC browser\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMounting\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eMount on a tripod or riser using the two 1\/4\"-20 threads\u003c\/li\u003e\n\u003cli\u003eUse the optional mount to attach the FR7 camera to a ceiling\u003c\/li\u003e\n\u003cli\u003eAttach camera accessories using the 15mm rod mounts\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCinematic Multicamera Use\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1831530.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCine-Style Capture\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eBring a cinematic look to your PTZ capture and match footage from other Sony cameras with the S-Cinetone picture profile\u003c\/li\u003e\n\u003cli\u003eThe Cine EI mode with MLUT management can be used with S-Log3 or raw recording\u003c\/li\u003e\n\u003cli\u003eXAVC recording with metadata capture supports up to 10-bit, 4:2:2 color and HDR recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHybrid Autofocus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFast hybrid autofocus with face detection and touch tracking enable you to keep even dynamic action in focus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"videoContainer_pdnKDph4rT\" data-selenium=\"videoIframe\"\u003e\n\u003cdiv class=\"container_Nvv9thaUIK\" data-selenium=\"videoPlayerYouTube\"\u003e\n\u003cdiv class=\"aspectRatioWrapper_Nvv9thaUIK\"\u003e\u003ciframe class=\"iframe_Nvv9thaUIK\" title=\"Introducing Cinema Line FR7 | Sony | α\" width=\"100%\" height=\"100%\" 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text_UbV5SNP5Eo\"\u003eQuick control with up to 100 preset positions\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eInterfaces\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eA robust interface includes a LAN port for network and PoE++ use, timecode input, a genlock connector, and red\/green tally indicators\u003c\/li\u003e\n\u003cli\u003eDual media slots are compatible with both CFexpress Type A and SDXC memory cards\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49659052327189,"sku":"ILMEFR7","price":14999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/1678693523_IMG_1953435.jpg?v=1766737449"},{"product_id":"fujifilm-gfx-eterna-55-cinema-camera","title":"FUJIFILM GFX ETERNA 55 Cinema Camera","description":"\u003cp\u003eDubbed the GFX ETERNA 55 in a nod to its diagonal sensor size, this camera incorporates one of the tallest sensors currently on the market. Its native 4:3 aspect ratio provides creators with a canvas that is 1.75x greater than 4-perf Super 35.\u003c\/p\u003e\n\u003ch3\u003eFive Main Formats\u003c\/h3\u003e\n\u003cp\u003eThe GFX ETERNA 55 offers five main formats that are paired to specific lens categories:\u003c\/p\u003e\n\u003cp\u003eGF and Premista, for use with Fujifilm lenses.\u003c\/p\u003e\n\u003cp\u003e35mm, anamorphic (35mm), and Super 35, for use with a range of lenses from multiple brands.\u003c\/p\u003e\n\u003cp\u003eEach of these five formats has multiple resolution selections, further expanding your capture options.\u003c\/p\u003e\n\u003ch3\u003eVideo Formats\/Resolutions\u003c\/h3\u003e\n\u003cp\u003eThe GFX ETERNA 55 expands the GFX100 II's video recording choices with new Open Gate, Super 35, and 2.39:1 anamorphic options using a large 43.8 x 32.9mm sensor.\u003c\/p\u003e\n\u003cp\u003eOpen Gate is available in 3.8K 4:3 at rates up to 48 fps.\u003c\/p\u003e\n\u003cp\u003eSuper 35 options include 6.3K24 in 16:9, DCI 4K30\/UHD 4K30 in 17:9 and 16:9, and up to 1080p60 in 17:9 and 16:9.\u003c\/p\u003e\n\u003cp\u003eAnamorphic 2.39:1 is available in Cine 5.8K up to 30 fps, Super 35 8K24 in 2.39:1, and Super 35 4K24 in 1.2:1.\u003c\/p\u003e\n\u003ch3\u003eAnamorphic Ready\u003c\/h3\u003e\n\u003cp\u003eThe GFX ETERNA's large 4:3 sensor is ready for you to combine with anamorphic lenses, and the camera provides real-time anamorphic de-squeezing for on-set monitoring.\u003c\/p\u003e\n\u003ch3\u003eRecording Codecs\u003c\/h3\u003e\n\u003cp\u003eTake full advantage of the GFX ETERNA 55 large sensor and internally record video in Apple ProRes 422\/HQ\/LT, 4:2:2, 10-bit HEVC\/H.265, or H.264 or ProRes proxies. Use the HDMI output for external 4:2:2 10-bit uncompressed or 12-bit raw recording.\u003c\/p\u003e\n\u003ch3\u003eCustom Frame Guides\u003c\/h3\u003e\n\u003cp\u003eUsers can create custom frame guides right from the viewfinder with up to three saved for quick access. Aspect ratios range include 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1, and custom. Customisable functions include 1-100% scaling, four line widths, and five colour options.\u003c\/p\u003e\n\u003ch3\u003eFujifilm G and ARRI PL Mounts\u003c\/h3\u003e\n\u003cp\u003eThe native Fujifilm G-mount ETERNA 55 camera is compatible with existing G-mount lenses and the new power-zoom G 32-90mm lens, which is optimised for this camera and features autofocus and auto iris functions, as well as geared focus, iris, and zoom rings. The included ARRI PL-mount adapter provides compatibility with an array of cine-style lenses and Cooke \/i lens data where available.\u003c\/p\u003e\n\u003ch3\u003eVariable ND Filter\u003c\/h3\u003e\n\u003cp\u003eThe built-in variable electronic ND filter lets you adjust your exposure without stopping down or opening up on your lens, ideal for bright exteriors, slow shutter effects, and shallow depth-of-field looks. This dial-control filter varies from ND 0.6 to ND 2.1, providing a range of two to seven stops in visually stepless .015 increments.\u003c\/p\u003e\n\u003ch3\u003eLow-Pass Filter\u003c\/h3\u003e\n\u003cp\u003eNew to the GFX line, the included OLPF (optical low-pass filter) helps to reduce colour anomalies and moire effects, especially helpful when shooting with LED wall backgrounds.\u003c\/p\u003e\n\u003ch3\u003eHot Swapping\u003c\/h3\u003e\n\u003cp\u003eAn internal NP-W235 battery enables external battery hot swapping or switching to DC power input. This battery is automatically charged when the camera is attached to an external power source.\u003c\/p\u003e\n\u003ch3\u003e5\" Monitor and Dual 3\" Displays\u003c\/h3\u003e\n\u003cp\u003eThe GFX ETERNA 55 features dual built-in 3\" touchscreens with 4:3 aspect ratios and 700 cd\/m² brightness. Located on both sides of the camera, these displays provide easy control access for both the operator and the A.C. The GFX ETERNA 55 external 5\" touchscreen colour LCD monitor provides a 16:9 aspect ratio and 2000 cd\/m² brightness for daylight visibility.\u003c\/p\u003e\n\u003ch3\u003eDedicated Top Handle\u003c\/h3\u003e\n\u003cp\u003eThe included top handle features a multifunctional left-side dial that can be assigned to ND filter control or to focus, iris, or zoom control when paired with an electronically controlled lens. This handle has a sliding rail base, letting you quickly adjust your camera balance for hand-holding after a lens change, battery addition, etc.\u003c\/p\u003e\n\u003ch3\u003eConnectivity\u003c\/h3\u003e\n\u003cp\u003eBuilt-in Wi-Fi and Ethernet enable a range of features, including Frame.io compatibility, browser-based remote control for focus, iris, zoom, and more. BLE (Bluetooth Low Energy) will be supported using the Fujifilm TG-BT1 tripod grip or an Atomos AirGlu Ambient device.\u003c\/p\u003e","brand":"FUJIFILM","offers":[{"title":"Default Title","offer_id":49690845905173,"sku":"74505","price":25999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0685\/0252\/0085\/files\/GC22-74505_2_1000x_749aaced-b896-4f9d-bec2-2523963c4711.webp?v=1768028879"}],"url":"https:\/\/www.cameraelectronic.live\/collections\/video-cameras-cine.oembed","provider":"Camera Electronic","version":"1.0","type":"link"}